A CHALCEDONY, GOLD, SILVER-GILT, ENAMEL AND BAROQUE PEARL BUST OF THE EMPEROR HADRIAN

Details
A CHALCEDONY, GOLD, SILVER-GILT, ENAMEL AND BAROQUE PEARL BUST OF THE EMPEROR HADRIAN
The head probably German, second half 17th century, the shoulders and pedestal 19th century

On a two coloured marble pedestal with silver mounts,
the nose replaced, losses to enamel
The bust 7in. (17.8cm.) high; 7½in. (19cm.) wide
The pedestal 9in. (22.8cm.) high
Provenance
Sir Philip Sassoon, Bt., 25 Park Lane, W.1., recorded in the Large Drawing Room in the pre-1927 inventory and in 1939. Also depicted in the interior area 1923 of the room by E. Shepherd
Literature
S. Morris, 'Houghton Hall', The Antique Collector, Janaury 1991, p. 53, fig. 2 (illustrated in the Saloon)
A. and A. Gore, The History of English Interiors, Oxford, 1991,
p. 62 (illustrated in situ in the Saloon)

COMPARATIVE LITERATURE
J. G. Mann, Wallace Collection Catalogues: Sculpture, London, 1931, S51, p. 19. pl. 17

Lot Essay

The carving of the present head, particularly of the sylised locks of hair framing the face, are reminiscent of a rock-crystal bust of a Roman Emperor in the Wallace Collection in London (Mann, loc. cit.). That bust, probably acquired by Sir Richard Wallace in the early 1870s is catalogued as German, late 17th century, and has been linked stylistically to another rock-crystal bust, of the Emperor Leopold I in the Kunsthistorisches Museum, Vienna, thought to date from around 1660 (private communication from Robert Wenley), illustrated in O. Schmitt ed., Reallaxiken zur Deutschen Kunstgeschichte, Stuttgart, II, 1948, fig. 24, p. 297. It is therefore probable that the head of the present bust orginates from the same artistic milieu as the two rock-crystal examples, but was set into the existing shoulders, with their lavish decoration, in the mid-19th century

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