AN ORMOLU-MOUNTED SEVRES BOWL, the tapering blue bowl with gilt marblising and reserves of exotic birds, with a pierced basket-weave rim with flowerheads and scrolling vine-handles above a stiff-leaf rim supported by four Chinoiserie figures on stools, on a concave-sided rectangular base with guilloche and serpentine fluting panels, the bowl formerly an écuelle, the porcelain with date mark for 1761 and painter's mark for François-Joseph Aloncle, the mounts 19th Century | Christie's

拍品 329

329

AN ORMOLU-MOUNTED SEVRES BOWL, the tapering blue bowl with gilt marblising and reserves of exotic birds, with a pierced basket-weave rim with flowerheads and scrolling vine-handles above a stiff-leaf rim supported by four Chinoiserie figures on stools, on a concave-sided rectangular base with guilloche and serpentine fluting panels, the bowl formerly an écuelle, the porcelain with date mark for 1761 and painter's mark for François-Joseph Aloncle, the mounts 19th Century

细节

AN ORMOLU-MOUNTED SEVRES BOWL, the tapering blue bowl with gilt marblising and reserves of exotic birds, with a pierced basket-weave rim with flowerheads and scrolling vine-handles above a stiff-leaf rim supported by four Chinoiserie figures on stools, on a concave-sided rectangular base with guilloche and serpentine fluting panels, the bowl formerly an écuelle, the porcelain with date mark for 1761 and painter's mark for François-Joseph Aloncle, the mounts 19th Century
10in. (25cm.) diam.; 7in. (18cm.) high

拍品专文

François-Joseph Aloncle was working at Sèvres between 1758 and 1781. His mark appears on the Razoumovski service and the Gustaf III service.