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細節
John Piper
Eye and Camera: Red, Blue and Yellow (L. 317)
screenprint in colours, 1980, on Arches, signed in pencil, one of 25 proofs, aside from the edition of 150, published by Kelpra Editions and the Tate Gallery, deckle-edge to the top, with full margins, in excellent condition
L. 400 x 605mm., S. 592 x 750mm.; and Eye and Camera: Blue to Yellow (L. 181), screenprint in colours, 1967, on T H Saunders, numbered 22/70 in pencil, with full margins
L. 492 x 685mm., S. 579 x 773mm.; and Florence Relief Landscape (L. 184), lithograph printed in black and yellow, 1967, on T H Saunders, signed and editioned 20/50 in pencil, with narrow margins as published
L. 445 x 622mm., S. 467 x 655mm. (3)
Eye and Camera: Red, Blue and Yellow (L. 317)
screenprint in colours, 1980, on Arches, signed in pencil, one of 25 proofs, aside from the edition of 150, published by Kelpra Editions and the Tate Gallery, deckle-edge to the top, with full margins, in excellent condition
L. 400 x 605mm., S. 592 x 750mm.; and Eye and Camera: Blue to Yellow (L. 181), screenprint in colours, 1967, on T H Saunders, numbered 22/70 in pencil, with full margins
L. 492 x 685mm., S. 579 x 773mm.; and Florence Relief Landscape (L. 184), lithograph printed in black and yellow, 1967, on T H Saunders, signed and editioned 20/50 in pencil, with narrow margins as published
L. 445 x 622mm., S. 467 x 655mm. (3)
注意事項
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