THE PROPERTY OF A EUROPEAN LADY OF TITLE
A PAIR OF ITALIAN POLYCHROME MARBLE BUSTS OF A NEGRO MAN AND WOMAN, carved in a variety of marbles including lapis lazuli, nero, brêche violette and giallo, each on a trefoil base (some chips),first half 19th Century

Details
A PAIR OF ITALIAN POLYCHROME MARBLE BUSTS OF A NEGRO MAN AND WOMAN, carved in a variety of marbles including lapis lazuli, nero, brêche violette and giallo, each on a trefoil base (some chips),first half 19th Century
the man: 18in. (45.5cm.) high
the woman: 18¾in. (47.5cm.) high (2)
Literature
COMPARATIVE LITERATURE
Hugh Honour, L'Image du Noir dans l'Art Occidental, Paris, 1988.

Lot Essay

In terms of style, subject and use of polychromy, the present pair of marble busts relate to similar works executed by French and Venetian sculptors of the seventeenth and eighteenth centuries.
Voyages of discovery to the African continent, its subsequent colonization and the initiation of the slave trade, provided the Western world with new images of previously unknown races. Such images were powerful when depicted in art, whether it be the chained blackamoor supporting a console, or a full-length statue with its contrasting dark skin hue and vibrant coloured drapery of marble or wood.

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