A GEORGE III SATINWOOD, MAHOGANY, PARQUETRY AND PAINTED SECRETAIRE AND DRESSING-CABINET attributed to George Simson, crossbanded overall with tulipwood and inlaid with amaranth and boxwood lines, the shaped cornice centred by a domed drum enclosing a clock with circular glazed enamel dial with arabic numerals signed John Vale, London, with removable secret compartment flanked by engine-turned urn-shaped finials, the spreading top decorated with green trees and with foliate spray above an arched glazed central door flanked by two further glazed doors each containing two adjustable shelves, the base section with geometrically-inlaid top above a satinwood-lined secretaire-drawer with six variously-sized mahogany-lined drawers simulated as eight drawers, the green leather-lined writing surface above a mahogany-lined dressing-drawer with hinged adjustable bevelled mirror, three lidded compartments and several further compartments, above two pairs of doors enclosing a further shelf, with waved apron and on splayed feet, restorations, the clock movement probably later and the base previously with an organ, the decoration refreshed 35½in. (90cm.) wide; 90½in. (230cm.) high; 22in. (56cm.) deep

Details
A GEORGE III SATINWOOD, MAHOGANY, PARQUETRY AND PAINTED SECRETAIRE AND DRESSING-CABINET attributed to George Simson, crossbanded overall with tulipwood and inlaid with amaranth and boxwood lines, the shaped cornice centred by a domed drum enclosing a clock with circular glazed enamel dial with arabic numerals signed John Vale, London, with removable secret compartment flanked by engine-turned urn-shaped finials, the spreading top decorated with green trees and with foliate spray above an arched glazed central door flanked by two further glazed doors each containing two adjustable shelves, the base section with geometrically-inlaid top above a satinwood-lined secretaire-drawer with six variously-sized mahogany-lined drawers simulated as eight drawers, the green leather-lined writing surface above a mahogany-lined dressing-drawer with hinged adjustable bevelled mirror, three lidded compartments and several further compartments, above two pairs of doors enclosing a further shelf, with waved apron and on splayed feet, restorations, the clock movement probably later and the base previously with an organ, the decoration refreshed
35½in. (90cm.) wide; 90½in. (230cm.) high; 22in. (56cm.) deep
Provenance
Anonymous sale, in these Rooms, 28 June 1979, lot 98

Lot Essay

This bureau-cabinet, with its triumphal-arched cornice and krater-vase finials, is designed in the elegant 'antique' manner promoted by Thomas Sheraton's Cabinet-Maker and Upholsterer's Drawing Book, 1793. It belongs to a group of cabinets attributed to the upholder George Simson (d. 1839) who established his cabinet-workshops in St. Paul's churchyard in 1787 and a Piccadilly Warehouse in Dover Street in 1793. He was a subscriber to both Sheraton's Drawing-Book and his Cabinet Dictionary, 1803; the former features a pattern (pl. 64) that corresponds to a Simson-labelled Lady's secretaire which is illustrated in The Dictionary of English Furniture Makers, Leeds, 1986, fig. 22. Both this labelled secretaire and a tea-chest bearing the label that he used during the late 1790's (ibid., figs. 20 and 21) feature the eared-tablet panels seen on this bureau-cabinet. Simson is also credited with the manufacture of a similar clock-mounted cabinet, that was exhibited in the late 18th Century at the clock museum emporium established by Thomas Weeks in Titchbourne Street, and is now displayed in the City Museum, Birmingham (see: R. Fastnedge, Sheraton Furniture, London, 1962, fig. 75).
A cabinet of similar design is illustrated in R. Edwards and P. Macquoid, The Dictionary of English Furniture, London, rev. ed., 1954, vol. I, p. 198, fig. 71

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