VARIOUS PROPERTIES
Edgar Degas (1834-1917)

Danseuse rajustant son épaulette

Details
Edgar Degas (1834-1917)
Danseuse rajustant son épaulette
signed and dedicated lower left 'Degas à M. Thornley'
charcoal heightened with white chalk on gray paper
12 x 9¼in. (30.5 x 23.5cm.)
Drawn circa 1895
Provenance
Harris Whittemore, Middlebury, Connecticut; sale, Christie's, New York, Nov. 12, 1985, lot 9
Achim Moeller Fine Art, New York (acquired at the above sale; acquired by the present owner)
Sale room notice
The correct title of this drawing is Danseuse rajustant son épaulette. Philippe Brame and Theodore Reff have confirmed the authenticity of this drawing.

Lot Essay

This drawing is dedicated to Georges William Thornley, a lithographer associated with the dealers Boussod et Valadon, who ran a lucrative business in publishing reproductions. In 1888-1889 Degas collaborated with Thornley on a folio of fifteen monochrome lithographs based on Degas's paintings and pastels. "...while Thornley did not seek to imitate the surfaces of the works he reproduced, he did try to capture the artist's 'touch,' that personal quality usually lost by the printmaker when translating a painter's syntax into that of his own medium... Thornley brought the art of reproduction to new heights..." (D. Druick and P. Zegers, "Degas and the Printed Image," Edgar Degas: The Painter as Printmaker, Boston, Museum of Fine Arts, exhibition catalogue, 1984, pp. Ivii - Iviii)

This drawing is related to a less finished study (see The Artist's Studio, third sale, Galerie Georges Petit, April 7-9, 1918, lot 112-2).
Philippe Brame and Theodore Reff have confirmed the authenticity of this drawing.