拍品專文
The enamelling on the box is superbly rendered, with much attention paid to the small areas of decoration, including the interiors and bases of each tier. The fine stippling to give a chiaroscuro effect is typical of the work found at the Imperial workshops. Hence, the painting style and composition of this box suggest that the artist was trained in the Western manner and was most probably executed by a Jesuit working for the court. Compare the style of the vignettes on the enamel box with that on a Qianlong-marked porcelain box in the Beijing Palace Museum, illustrated in Porcelains with Cloisonne Enamel Decoration and Famille Rose Decoration - The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1999, pl. 36. The reign mark on the base of the present box is unusually inscribed over a finely enamelled peach, and this composition is also found on a Yongzheng bowl, where the four-character ruby-enamel mark is painted over a peach, illustrated ibid., pl. 21.