AN ARCHAIC BRONZE ZUN

Details
AN ARCHAIC BRONZE ZUN
WESTERN ZHOU DYNASTY

The broad pear-shaped body raised on a pedestal foot and with widely flared mouth, crisply cast on the upper body with a band of two pairs of long-tailed birds, each pair centered on a taotie mask cast in high relief, with a three-character pictogram, Bo bao (yi?), cast in the bottom of the interior, the patina of dark gray and pale green color with cuprite encrustation (some restoration)
6¾in. (17cm.) high
Provenance
Swedish Private Collection
Acquired in China before World War II by a collector who accompanied the then Crown Prince, Gustaf Adolf, of Sweden, on one of his journeys to Asia

Lot Essay

The pictogram may be translated, 'Bo (made) this precious vessel'

Compare the very similar vessel from the Lundgren Collection, exhibited in Venice, 1954, Catalogue, no. 49; another one, in the Museum of Fine Arts, Boston, is illustrated by Umehara in Shina Kodo Seikwa; a zun in the British Museum is illustrated by Jessica Rawson, Ancient China, pl. 84. Compare, also, the vessel dated to the early Western Zhou, excavated from Shandong, illustrated in Wenwu 1972:5, pl. 7, fig. 1

A zun cast with a similar band of gui bird design incorporating taotie masks, but with the addition of a bowstring band below, is illustrated in Sekai Bijutsu Zenshu, vol. 12, (Yin, Zhou and Warring States), Japan, 1962, no. 47. Similar gui birds can been seen in rubbings from other types of vessels illustrated by Minao Hayashi, Studies of Yin and Zhou Bronze Decoration, vol. II, Tokyo, 1986, p. 171 (102) and p. 267 (8-142) and another is published by B. Kalgren, "Some Characteristics of the Yin Art", B.M.F.E.A., no. 34, pl. 6b