Details
PIERRE-AUGUSTE RENOIR
Femme au cepe de vigne, 2e variante, from Douzes Lithographies Originales de P.A. Renoir (L.D.; S. 46)
lithograph, 1904, on wove paper, from the edition of 1,000, with full margins, pale light-staining, soft handling creases, old masking tape in places at the reverse of the margin edges; and PIERRE BONNARD, Untitled, plate 8 from Dingo (B. 90)--etching, 1924, on Japan, from the edition of 350, with margins, remains of old glue and related skinning at the top margin corners; GEORGES ROUAULT, Bon Electeur, from Reincarnations de Père Ubu (C. and R. 12)--etching, aquatint, roulette and heliogravure, 1918, on wove paper, with full margins, remains of old glue in places along the top margin edge, otherwise in very good condition; and CAMILLE COROT, Environs de Rome (D. 6)--etching, 1866, on laid paper, second state (of four), with margins, pale staining in the margins, otherwise generally in good condition (4)
Femme au cepe de vigne, 2e variante, from Douzes Lithographies Originales de P.A. Renoir (L.D.; S. 46)
lithograph, 1904, on wove paper, from the edition of 1,000, with full margins, pale light-staining, soft handling creases, old masking tape in places at the reverse of the margin edges; and PIERRE BONNARD, Untitled, plate 8 from Dingo (B. 90)--etching, 1924, on Japan, from the edition of 350, with margins, remains of old glue and related skinning at the top margin corners; GEORGES ROUAULT, Bon Electeur, from Reincarnations de Père Ubu (C. and R. 12)--etching, aquatint, roulette and heliogravure, 1918, on wove paper, with full margins, remains of old glue in places along the top margin edge, otherwise in very good condition; and CAMILLE COROT, Environs de Rome (D. 6)--etching, 1866, on laid paper, second state (of four), with margins, pale staining in the margins, otherwise generally in good condition (4)