HUTTEN (ULRICH VON): [EPIGRAMMATA] Hoc in volumine haec continentur, [colophon: Excusum in Arce Steckelberg], [Mainz, J. Schöffer], 1519, 4to, first Latin edition, woodcut illustration of the masters of the Petrarca, portrait of Hutten, 6 large woodcut initials by Gabriel Zehender (title slightly wormed at inner margin and lightly soiled at outer margin), contemporary reversed calf (rather worn with few surviving brass corner studs). [Panzer VIII, 299; Proctor 9866; Weller, Druckorte I, 242; Röttinger, Weiditz 6; Benzing, Hutten, 120]

細節

HUTTEN (ULRICH VON): [EPIGRAMMATA] Hoc in volumine haec continentur, [colophon: Excusum in Arce Steckelberg], [Mainz, J. Schöffer], 1519, 4to, first Latin edition, woodcut illustration of the masters of the Petrarca, portrait of Hutten, 6 large woodcut initials by Gabriel Zehender (title slightly wormed at inner margin and lightly soiled at outer margin), contemporary reversed calf (rather worn with few surviving brass corner studs). [Panzer VIII, 299; Proctor 9866; Weller, Druckorte I, 242; Röttinger, Weiditz 6; Benzing, Hutten, 120]

拍品專文

In 15 parts, excluding the foreword and afterword and 8 letters, this work is connected with the murder of Hutten's cousins, related to him through the Duke of Würtemberg. The most significant part is the 'Phalarismus': the first use of the dialogue form by Hutten and its first introduction into German humanistic literature, it was written in Bologna in 1516/17.

Provenance: Nordkirchen Library.