細節
LEVITA, ELIJAH BEN ASHER ASHKENAZI (BACHUR). Masoret ha-Masoret [Explanation of the technical terms and the signs of the Masorah]. [Bound with:]
LEVITA, ELIJAH. Tuv Ta'am [Explanation of the rules on the accents in the Bible]
[both] Basel: Henricus Petri 1539
[128]; [56] leaves, colophon in Hebrew and Latin. Printed from right to left.
Second editions, edited by Sebastian Münster (after the first editions of Venice 1538).
Sefer ha-Ta'amim Accentuum hebraicorum Liber unus, ab Elia Iudaeo aeditus. [Latin translation of the above works, by Sebastian Munster]
Basel, Henricus Petri, 1539
109 [3] pages. Errata, pp. 107-9, woodcut printer's device on verso of last leaf (recto blank), woodcut initials.
Vinograd, Basle nr. 56; Prijs, Die Basler Hebräischen Drucke, no. 58; Steinschneider 4960,18 & 4960,22; idem, Handbuch no. 1163; Yudlov, Ginzei Yisrael no. 1864; Zedner 227; Roest 332; [1st work:] Adams E-131 (1st work), and E-109 (3rd work).
[Bound with:]
[REUCHLIN, JOHANNES, editor and translator. In septem psalmos poenitentiales hebraicos Grammatico explanatio].
Tübingen: Thomas Anshelm, 1512.
a-l8 10 (-a1). [97 (of 98?)] leaves, lacking title. Roman, Hebrew and Greek types, colophon with printer's woodcut device on [88]v. The unsigned quire of 10 leaves bound in after the colophon bears its own title-leaf: "Septem psalmi poenitentiales hebraici cum grammaticali tralatione [sic] latina"; the Hebrew text of the seven penitential psalms is printed from right to left with the Latin translation on the facing pages, printed in a smaller typeface than in the preceding commentary.
Capital strokes supplied in red throughout. Last line of text on fol. c8r omitted by the printer and supplied in a contemporary hand (before rubrication).
FIRST EDITION of Reuchlin's translation and commentary, apparently very rare. Not in Benzing, Bibliographie der Schriften J. Reuchlin, nor in BM/STC or Adam, both of which list only a later edition of this work, printed in Wittenberg by Joseph Klug in 1529.
Together 4 works bound in one vol., 8vo, 140 x 91 mm. (5 1/2 x 3 5/8 in.), eighteenth-century speckled sheep, decorated floral endpapers, broken, front free endpaper and title-leaf of first work detached, lower endpaper and first leaf of last work loosening, a few marginal repairs or tears, soiling and scattered staining throughout.
LEVITA, ELIJAH. Tuv Ta'am [Explanation of the rules on the accents in the Bible]
[both] Basel: Henricus Petri 1539
[128]; [56] leaves, colophon in Hebrew and Latin. Printed from right to left.
Second editions, edited by Sebastian Münster (after the first editions of Venice 1538).
Sefer ha-Ta'amim Accentuum hebraicorum Liber unus, ab Elia Iudaeo aeditus. [Latin translation of the above works, by Sebastian Munster]
Basel, Henricus Petri, 1539
109 [3] pages. Errata, pp. 107-9, woodcut printer's device on verso of last leaf (recto blank), woodcut initials.
Vinograd, Basle nr. 56; Prijs, Die Basler Hebräischen Drucke, no. 58; Steinschneider 4960,18 & 4960,22; idem, Handbuch no. 1163; Yudlov, Ginzei Yisrael no. 1864; Zedner 227; Roest 332; [1st work:] Adams E-131 (1st work), and E-109 (3rd work).
[Bound with:]
[REUCHLIN, JOHANNES, editor and translator. In septem psalmos poenitentiales hebraicos Grammatico explanatio].
Tübingen: Thomas Anshelm, 1512.
a-l8 10 (-a1). [97 (of 98?)] leaves, lacking title. Roman, Hebrew and Greek types, colophon with printer's woodcut device on [88]v. The unsigned quire of 10 leaves bound in after the colophon bears its own title-leaf: "Septem psalmi poenitentiales hebraici cum grammaticali tralatione [sic] latina"; the Hebrew text of the seven penitential psalms is printed from right to left with the Latin translation on the facing pages, printed in a smaller typeface than in the preceding commentary.
Capital strokes supplied in red throughout. Last line of text on fol. c8r omitted by the printer and supplied in a contemporary hand (before rubrication).
FIRST EDITION of Reuchlin's translation and commentary, apparently very rare. Not in Benzing, Bibliographie der Schriften J. Reuchlin, nor in BM/STC or Adam, both of which list only a later edition of this work, printed in Wittenberg by Joseph Klug in 1529.
Together 4 works bound in one vol., 8vo, 140 x 91 mm. (5 1/2 x 3 5/8 in.), eighteenth-century speckled sheep, decorated floral endpapers, broken, front free endpaper and title-leaf of first work detached, lower endpaper and first leaf of last work loosening, a few marginal repairs or tears, soiling and scattered staining throughout.
來源
Scattered early marginalia in Hebrew and Latin (many cropped), foliation supplied to first 2 works in an early hand -- Mandelbaess, 16th or 17th century ownership inscription on second leaf of first work -- Christoph Schrader, early signature on title of first work -- Moritz Koritschon[ey?] (who presumably had the works bound together), eighteenth-century signatures on titles or colophons of first, third, and last works.