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ELSTREE STUDIOS
A rare collection of autographs obtained at Elstree Studios by Arthur Seaman, Chief Officer of Elstree and B.I.P. Fire Brigades; his wife Jean, wardrobe mistress at Elstree and their daughter Lucy, secretary to Studio Manager, Joseph Grossman, circa 1927-1948, comprising approximately two hundred and fourteen autographed photographs, majority signed and inscribed by subjects, a few secretarial or printed facsimile signatures, subjects include: David Niven, Leslie Howard, Robert Donat, Lilian Harvey, Elizabeth Taylor, Michael Wilding, Elizabeth Leighton, Bebe Daniels (2), Ben Lyon, Fatty Arbuckle, Olga Tschechowa (2), Googie Withers, Otto Kruger, Buddy Rogers (2), Tom Wall (2), Will Fyffe, Raymond Massey, Merle Oberon, Joseph Cotton (2), Claude Rains, Leslie Howard, Ingrid Bergman, Robert Taylor, Douglas Fairbanks (3), Gertrude Lawrence, Donald Calthrop (2), Jack Buchanan, Franz Lederer, Anna Neagle (2), Richard Tauber, Monty Banks, Sydney Courtenay, Leslie Fuller, Anna May Wong, Conrad Veidt, Sydney Chaplin, Edna Best, Fay Compton, Leslie Fuller, Dorothy Gish, Betty Balfour, Madeleine Carroll, Seymour Hicks, Carl Brisson and Beniamo Gigli; and a number of unsigned stills of films in production, sets, various casts and end of film parties, majority 10 x 7¾in., in three albums and loose; and a ladies chrome-plated Swiss 15 jewel digital wristwatch, the movement with three adjustments, unsigned, the rectangular case with shaped apertures for hours and minutes, the rear cover engraved Mrs Seaman with love Merle Oberon, with a plated bracelet attached. (a lot)

Lot Essay

Arthur Seaman, a former Irish Guardsman, joined British International Pictures Ltd. in 1926 as Chief Officer of the Elstree and B.I.P Fire Brigades. He also provided special effects for the studio, in particular rain storms and carefully set fires; and appeared in a number of films as a jailer, policeman, soldier and commissionaire. His skills in the army were often put to use in drilling extras for military scenes. Arthur Seaman continued to work at Elstree Studios until the 1950s. His wife Jean, was a wardrobe mistress in the 1930s and was called back to the studios to work on specific films, Merle Oberon and Ingrid Bergman always asked for her, and she was particularly fond of Denis Price, Douglas Fairbanks Jr. and Diana Dors. Arthur and Jean's daughter, Lucy Seaman, was secretary to the Studio Manager, Joseph Grossman. She became a continuity girl but soon returned to Joe Grossman's office after standing up for a group of extras who were being browbeaten by Alfred Hitchcock.

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