HUXLEY, Aldous. Beyond the Mexique Bay, London: Chatto & Windus, 1934, 8°, FIRST EDITION, number 68 of a limited edition of 210 copies, signed by the author, photographic illustrations, original cloth-backed boards, t.e.g., other edges uncut, (spine faded, slightly soiled); Vulgarity in Literature, London: Chatto & Windus, 1930, 8°, FIRST EDITION, number 31 of a limited edition of 260, signed by the author, original cloth-backed boards, t.e.g, other edges unopened and uncut (spine very slightly faded, covers a trifle soiled); Texts and Pretexts, London: Chatto & Windus, 1932, 8°, FIRST EDITION, number 93 of a limited edition of 214, signed by the author (slight finger-soiling on p. 87), original cloth-backed boards, t.e.g., other edges uncut (extremities a little rubbed and soiled, spine very slightly faded); The Olive Tree, London: Chatto & Windus, 1936, 8°, FIRST EDITION, number 26 of a limited edition of 160, signed by the author (occasional extremely faint spotting, mainly in first quire), original cloth, t.e.g., other edges uncut (spine faded, top edge a little soiled); Ends and Means, London: Chatto & Windus, 1937, 8°, FIRST EDITION, original cloth with dust-jacket (slightly soiled ) and protective tissue wrapper (extremities a little bumped); and 5 other works by Huxley, mainly first editions. (10)

細節

HUXLEY, Aldous. Beyond the Mexique Bay, London: Chatto & Windus, 1934, 8°, FIRST EDITION, number 68 of a limited edition of 210 copies, signed by the author, photographic illustrations, original cloth-backed boards, t.e.g., other edges uncut, (spine faded, slightly soiled); Vulgarity in Literature, London: Chatto & Windus, 1930, 8°, FIRST EDITION, number 31 of a limited edition of 260, signed by the author, original cloth-backed boards, t.e.g, other edges unopened and uncut (spine very slightly faded, covers a trifle soiled); Texts and Pretexts, London: Chatto & Windus, 1932, 8°, FIRST EDITION, number 93 of a limited edition of 214, signed by the author (slight finger-soiling on p. 87), original cloth-backed boards, t.e.g., other edges uncut (extremities a little rubbed and soiled, spine very slightly faded); The Olive Tree, London: Chatto & Windus, 1936, 8°, FIRST EDITION, number 26 of a limited edition of 160, signed by the author (occasional extremely faint spotting, mainly in first quire), original cloth, t.e.g., other edges uncut (spine faded, top edge a little soiled); Ends and Means, London: Chatto & Windus, 1937, 8°, FIRST EDITION, original cloth with dust-jacket (slightly soiled ) and protective tissue wrapper (extremities a little bumped); and 5 other works by Huxley, mainly first editions. (10)