A brass Isfahan astrolabe, signed by the maker Khalil Muhammad and by the decorater Muhammad Baqir and dated 1091 Hijra (1680/81 A.D.), the throne decorated with two birds flanking a cartouche of floral designs, the mater engraved with a geographical table showing the qibla or direction of Mecca for forty-six cities, with five plates, two by Isfahan astrolabists, engraved in the traditional manner, one serving latitudes 22° (Mecca) and 28°, the other 34°, the opposite side with a set of half-horizons for all latitudes, the other plates incomplete, the rear with trigonometric quadrent and superposed markings for a universal horary quadrant in the upper left, the upper right with a solar quadrant with curves displaying the midday solar altitudes at various latitudes and the altitude of the sun when it is in the direction of Mecca for various cities, the lower section with a semi-circular astrological table, signatures and date -- 4½in.(11.5cm.)diam.(rette alidade and horse replaced)

Details
A brass Isfahan astrolabe, signed by the maker Khalil Muhammad and by the decorater Muhammad Baqir and dated 1091 Hijra (1680/81 A.D.), the throne decorated with two birds flanking a cartouche of floral designs, the mater engraved with a geographical table showing the qibla or direction of Mecca for forty-six cities, with five plates, two by Isfahan astrolabists, engraved in the traditional manner, one serving latitudes 22° (Mecca) and 28°, the other 34°, the opposite side with a set of half-horizons for all latitudes, the other plates incomplete, the rear with trigonometric quadrent and superposed markings for a universal horary quadrant in the upper left, the upper right with a solar quadrant with curves displaying the midday solar altitudes at various latitudes and the altitude of the sun when it is in the direction of Mecca for various cities, the lower section with a semi-circular astrological table, signatures and date -- 4½in.(11.5cm.)diam.(rette alidade and horse replaced)
Literature
Maddison (1957), A Supplement to a Catalogue of Scientific Instruments in the Collection of J. A. Billmeir, p. 25.
Further details
See colour plate and detail

Lot Essay

This astrolabe, previously unrecorded, was made by one of the most prolific of the Persian astrolabists of Isfahan in the late 17th century, Khalil Muhammad. Approximately thirty pieces bearing his name are known. This piece is unusual on account of the distinctive form of the rete, but this is a later replacement.

The astrolabe was the favorite astronomical instrument of Muslim astronomers from the 8th to the 19th century. It was used mainly for timekeeping and for astrological purposes, and , as a two-dimensional model of the universe that one could hold in one's hands and carry in one's pocket, constitutes an excellent means of teaching the basics of spherical astronomy. To use the instrument, one simply measures the altitude of the sun by day or a star by night and sets the corresponding marker for the sun (a point on the ecliptic corresponding to the day of the year) or star-pointer on the rete on top of the appropriate altitude circle on the plate underneath that serves one's own terrestrial latitude: the instrument then displays the instantaneous configuration of the heavens with respect to one's horizon. One rotation of the rete corresponds to a rotation of the heavens once every twenty-four hours, so if one moves the rete until the sun is on the eastern horizon, the amount of rotation will be a measure of the time elapsed since or remaining until sunrise. Likewise, a glance at the configuration of the ecliptic with respect to the horizon will serve to determine the ascendant, a notion of prime importance in astrology. A large proportion of surviving Islamic astrolabes are from 17th century Isfahan, but most have never been studied and no comparative study has been made of the works of individual makers.

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