An embroidered screen, in the Pre-Raphaelite style composed of two panels worked in coloured silks of autumnal shades on a linen ground, one side with a young man leaning against a well with an overhangning tree, the other with a be-robed young woman playing a dulcimer and a leaping hare behing, both figures with garlands in their hair seated on a flower-carpeted ground with a brick wall behind--14in x 23in., embroidered panels, 42in. height of screen, English, late 19th century (some wear to embroidery, old damages to screen)

细节

An embroidered screen, in the Pre-Raphaelite style composed of two panels worked in coloured silks of autumnal shades on a linen ground, one side with a young man leaning against a well with an overhangning tree, the other with a be-robed young woman playing a dulcimer and a leaping hare behing, both figures with garlands in their hair seated on a flower-carpeted ground with a brick wall behind--14in x 23in., embroidered panels, 42in. height of screen, English, late 19th century (some wear to embroidery, old damages to screen)
See Colour Illustration

拍品专文

Said to have been worked by the vendor's grandmother, Amy Graham. The Graham family were very closely associated with the Pre-Raphaelite movement, particularly Edward Burne-Jones who had a very close friendship with Frances Graham, Amy's sister. It is most likely that the screen was after a design by Burne-Jones who designed embroideries for Morris & Co., the Royal School of Needlework as well as for family and friends.