Lot Essay
R. Cole (loc. cit.) identifies this carving with the early months of Gaudier's friendship with Epstein: 'At last Gaudier had found someone who not only held similar attitudes to his own but was developing those ideas in his sculpture. Epstein was to be admired, almost revered, and certainly for a period after their first meeting Gaudier aspired to be a real sculptor in stone like Epstein'.
For a drawing by Harold Gilman of Head of a Young Man, see British Art on Paper, Christie's, London, 21 November 2001, lot 123.
For a drawing by Harold Gilman of Head of a Young Man, see British Art on Paper, Christie's, London, 21 November 2001, lot 123.