拍品专文
(US$25,800-32,300)
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细节
WEI ZHIHUANG (1568-AFTER 1645)
VERDANT PEAKS
Handscroll, ink and colour on paper
29 x 586.8 cm. (11 3/8 x 231 in.)
Signed: Wei Zhihuang, with two seals of the artist: Kao Shu, Wei Zhi Huang Yin
Dated a summer's day, guimao year (1603)
Colophons at the end of the scroll by each of Zhang Yu (1865-1934) and Xu Bangda (born 1911), with one to two seals
Frontispiece by Sun Zhan
Notes:
1. Wei Zhihuang, sobriquet name Kaoshu, was a native of Nanjing. He started very poor and sold paintings for a living. His calligraphy took after the Huangting jing, and he painted landscapes from out of his own inspiration, never taking after any ancient master or copies. Each painting by Wei was distinct and he never painted a second based on or similar to the first. In his later years, he painted with a hard brush and thick ink, but was also able to paint flowers with light ink which were naturalistic and elegant. For brief biography, see Zhongguo Meishujia Renming Cidian, Shanghai Renmin Meishu Chubanshe, 1981, p.1498
2. For brief biographies of Zhang Yu, see Lidai Mingren Zhiming Biehao Cidian, Shanxi Guji Chubanshe, 1998, pp.262, 948; Zhongguo Jinxiandai Renwu Minghao Dacidian, Zhejiang Guji Chubanshe, 1993, p.843, and Mingqing Zhuming Cangshujia Cangshuyin, Beijing Library Publications, 2000, p.227
VERDANT PEAKS
Handscroll, ink and colour on paper
29 x 586.8 cm. (11 3/8 x 231 in.)
Signed: Wei Zhihuang, with two seals of the artist: Kao Shu, Wei Zhi Huang Yin
Dated a summer's day, guimao year (1603)
Colophons at the end of the scroll by each of Zhang Yu (1865-1934) and Xu Bangda (born 1911), with one to two seals
Frontispiece by Sun Zhan
Notes:
1. Wei Zhihuang, sobriquet name Kaoshu, was a native of Nanjing. He started very poor and sold paintings for a living. His calligraphy took after the Huangting jing, and he painted landscapes from out of his own inspiration, never taking after any ancient master or copies. Each painting by Wei was distinct and he never painted a second based on or similar to the first. In his later years, he painted with a hard brush and thick ink, but was also able to paint flowers with light ink which were naturalistic and elegant. For brief biography, see Zhongguo Meishujia Renming Cidian, Shanghai Renmin Meishu Chubanshe, 1981, p.1498
2. For brief biographies of Zhang Yu, see Lidai Mingren Zhiming Biehao Cidian, Shanxi Guji Chubanshe, 1998, pp.262, 948; Zhongguo Jinxiandai Renwu Minghao Dacidian, Zhejiang Guji Chubanshe, 1993, p.843, and Mingqing Zhuming Cangshujia Cangshuyin, Beijing Library Publications, 2000, p.227