A PAIR OF CHARLES II BRASS AND ENAMEL ANDIRONS
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A PAIR OF CHARLES II BRASS AND ENAMEL ANDIRONS

Details
A PAIR OF CHARLES II BRASS AND ENAMEL ANDIRONS
The frontage of each cast and enamelled in sections; with a protruding iron support to the rear attached to an internal column supporting the brass sections and a horseshoe shaped foot, lacking the pierced square element above the foot.
Wear to the enamelling; oxidisation to iron sections.
13¾ in. (35 cm.) high, each (2)
Literature
COMPARATIVE LITERATURE:
H.H. Mulliner, The Decorative Arts in England 1660-1780, London, chapter XI, fig. 147.
Y. Hackenbroch (intro.), Bronzes and other Metalwork and Sculpture in the Irwin Untermyer Collection, London, 1962, pp. 41-43, pls. 178-185, figs. 201-209.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

English enamels of this type, commonly known as 'Surrey' enamels, were originally thought to have been executed after the Restoration of Charles II in 1660. There now seems to be evidence to suggest that, in fact, production began much earlier, at least as early as the 1640s. Anthony Hatch, who finished his apprenticeship in 1641, is recorded in the London Armourers' Company Court Minute Book (26 September, 1689, (f. 82v.)) as having received the thanks of the Company 'for the Brasse enamelled chimney peece by him given them which is now set vpp and placed in the Greate parlour or Courte Room.' It is entirely possible that Hatch was also responsible for the present andirons.

Whether or not they can be attributed to Hatch, the andirons are closely related to another, documented, pair which were published in the catalogue of the Untermyer Collection (op. cit., p. 42, fig. 201). Those andirons show the same overall form, although they include a pierced square element above the foot, which probably also existed in the present examples. The Untermyer andirons appear to have spent most of their lives at Weald Hall, Essex, until 1759. They were later in the collection of William Randolph Hearst.

We would like to thank Anthony North, of the Department of Metalwork at the Victoria and Albert Museum, for his assistance in the cataloguing of this lot.

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