A pair of George III gold sugar-tongs
No VAT will be charged on the hammer price, but VA… Read more The value of gold owes much to its particular qualities as a metal: beauty, malleability, scope for ornamentation, and rarity. Moreover gold objects have frequently been melted down for bullion in times of upheaval, crisis, or simply changes in fashion. Thus the intrinsic value of gold has contributed both to the small number of pieces originally created, and also to the lack of surviving pieces. The court of King Henry VIII for example was, according to contemporary accounts, rich in gold table articles, such as salts, ewers, candlesticks, spoons and over thirty-five gold cups, many set with diamonds, rubies and pearls. These were more than matched by ecclesiastical treasures, the cathedrals of the day containing such works of art as a 10th century cross and altar of gold at Winchester, and eight 'great and fair candlesticks of pure gold' at Salisbury. There were many such items given by monarchs through the centuries. The Jewel House records from the time of Queen Elizabeth I record in detail the numerous items of gold in the Royal collection (Harley Mss 1650 and Stowe Mss 555). The splendor of those centuries is now all but lost to us, as King Charles I ordered the destruction of the entire collection of Royal plate to meet his financial needs. This devastation was completed during the Civil War, and in 1649 it was ordered that any remaining gold and silver, including Edward VI's crown and the other regalia, be melted down and sold together with all the Royal jewels 'to the best advantage of the Commonwealth.' The one survivor was the eagle-shaped ampulla of the late fourteenth century, which still forms part of the Coronation Regalia. Excluding the ampulla, the earliest English gold plate which survives is the chalice and paten of 1507 at Corpus Christi College, Oxford. For the period between 1600 and 1670, some thirteen articles are recorded. The next dated piece is the gold porringer and cover in the present sale, dated 1671 (lot 11). The first attempt in modern times to compile a list of all known gold objects was written by E. A. Jones, Old English Plate, London, 1907. Arthur Grimwade, for many years the director of the silver department at Christie's, updated Jones's work in his comprehensive article, "A New List of English Gold Plate", The Connoisseur, 1951, listing all known English and Scottish gold objects, excluding snuff and freedom-boxes. The sum total of pre-1800 gold items recorded at that time was fifty-nine. Since then perhaps another dozen pieces have come to light. The twelve gold objects in the present sale therefore represent some fifteen percent of the total known pre-1800 English gold objects. The present sale with twelve English gold pieces is the largest ever. Indeed, only once in 235 years of auctions at Christie's has there been a comparable sale of Magnificent Gold. This was in 1967 when Christie's sold the Michael Noble collection which included ten English pieces. The core of today's sale is a collection of ten English 17th and 18th Century gold objects assembled by the late Nathaniel Mayer Victor, 3rd Baron Rothschild, working closely with one of the greatest of English silver dealers, Thomas Lumley (lots 8-17). It is a measure of their quality and rarity that in recent years these pieces were exhibited by the Victoria and Albert Museum. To this group, the present owner has added two further 18th century English gold objects (lots 18 and 19). From the earliest piece in the collection, the superb Smith Porringer made in London in 1671 with perfect proportions and in wonderful condition, to the covered beaker made by John Bodington in 1697 and fully recorded in the Minute Book of the Levant Company, to perhaps the earliest known cream-jug and certainly the only recorded 18th Century example in gold, the quality, condition and historic value of these gold items is virtually unsurpassed. A group of four exceptionally well documented English 18th century racing cups form a fascinating subsection of this collection. It includes Her Majesty's Gold Cup, Richmond, 1706, by the great Huguenot goldsmith Pierre Harache and engraved with the Royal Arms of Queen Anne, patroness of the race. A second Yorkshire race-cup, The York Ladies' Gold Cup of 1725, is engraved with a depiction of the winning horse Routh's Surley. The Newcastle Gold Cup, 1730, by James Kirkup of Newcastle is one of only two known gold objects made in that town. The Chester Gold Cup, 1792, by Peter and Anne Bateman and presented by Lord Grosvenor, unlike the other traditional two handled cups, is in the form of an exceptionally large tumbler cup. This sale is an opportunity to view a group of gold items the like of which will surely never be repeated. The extreme rarity, superb condition, impeccable provenance and, above all, the sheer beauty of these gold objects make this sale a unique opportunity to acquire a piece of history. The Property of a Gentleman Including The Collection of English Gold formed by the Late Nathaniel Mayer Victor, 3rd Baron Rothschild (lots 8-17) The Gregory Gold Sugar-Tongs
A pair of George III gold sugar-tongs

CIRCA 1760, UNMARKED

Details
A pair of George III gold sugar-tongs
circa 1760, unmarked
Of scissor form, with scroll handles and stems with shell terminals, the central circular plaque engraved with a crest
4¾in. (12cm.) long
1oz. (48gr.)
The crest is that of Gregory
Provenance
Nathaniel Mayer Victor, 3rd Baron Rothschild (1910-1990)
Literature
A. Grimwade, 'A New List of Old English Gold Plate', The Connoisseur, pt. III, p. 86

M. Clayton, The Collector's Dictionary of the Silver and Gold of Great Britain and North America, London, 1985, p. 382
Exhibited
London, Victoria and Albert Museum, 1997-2000
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. On occasion Christie's has a direct financial interest in lots consigned for sale. This interest may include guaranteeing a minimum price to the consignor of property or making an advance to the consigned property. Such property is offered subject to a reserve. This is such a lot.

Lot Essay

The principal family of Gregory who used this crest is that of Styvechale, co. Warwick; it is most likely these sugar-tongs were made for either Arthur Gregory (1716-1791) or one of his seven sons.

Arthur Gregory, as recorded in the College of Arms pedigree (Mss:6D14/333 and Norfolk 8/131), was born at Stivic Hall (or Styvechale), co. Warwick on 18 April 1716. He married firstly in 1739, at Baginton, Mary, only daughter of John Bowater of Whitley near Coventry. They had two sons, Arthur Gregory, a Captain in the Army, and John Gregory, a Lieutenant in the Royal Navy, who both died unmarried. His first wife Mary having died aged 26, Arthur Snr. married secondly, at Oxford Chapel in the Parish of St Mary le Bone, London, Anne, only daughter and heir of Sir John Chaplin Bt., of Tathwell and Blankney, co. Lincoln. This second marriage produced a daughter, Anne, and five sons, Arthur Chaplin, Arthur William, Arthur Thomas, Arthur Robert and Francis, through whom the pedigree recorded in Burke's Landed Gentry continues.

Although a silver tea-service was an established sign of a gentleman's social position and income by the mid 18th century, sugar-tongs had not yet fully become integrated into the equipage. Conversation pieces of the time instead often show pages or partakers using their fingers to select lumps of sugar. The use of tongs increased during the later part of the century, with scissor-action tongs superceded by the simpler spring-action one-piece tongs by about 1800. Gold sugar-tongs are exceptionally rare; a similar pair by John Wirgman, circa 1750, is illustrated in A. Grimwade, op. cit., pt. 2, p. 16. Two further pairs of gold sugar-tongs, each with matching teaspoons, are known; one set is now in the Gilbert Collection, Somerset House, London (illustrated in T. Schroder, The Gilbert Collection of Gold and Silver, Los Angeles, 1988, cat. no. 77). The other set was sold Christie's New York, 14 April 1994, lot 448.

More from MAGNIFICENT GOLD

View All
View All