Lot Essay
The clock celebrates Love's triumph by evoking the 'Feast of Bacchus' with an Arcadian satyr-nymph reclined, with raised wine-tazza, on a vine-festooned palanquin borne by Cupid-driven and grape-eating bacchic goats. This clock, after a model introduced in Paris in the 1780s, bears a movement with the name of Claude Charles François Filon, who was established in Paris in the 1780s. It also bears the name of the enamel painter Jean Coteau (d.1810). Other vesrions of this model are illustrated in H. Ottomeyer and P. Pröschel et al., Vergoldete Bronzen, 1986, vol. 1, p. 280; and G.Wannenes, Le Piu Belle Pendole Frencesi - Da Luigi X1V all' Impero, Mailand, 1991, p. 89.