A pair of Meissen (Marcolini) two-handled ecuelles and gilt-metal covers
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A pair of Meissen (Marcolini) two-handled ecuelles and gilt-metal covers

CIRCA 1780, BLUE CROSSED SWORDS AND STAR MARKS AND BLUE .. MARKS, THE GILT-METAL COVERS ALMOST CERTAINLY LATER

Details
A pair of Meissen (Marcolini) two-handled ecuelles and gilt-metal covers
Circa 1780, blue crossed swords and star marks and blue .. marks, the gilt-metal covers almost certainly later
Each side finely painted with views of palaces, gardens and gazebos within gilt oval cartouches with bead ornament draped with gilt ribbon-tied garlands of flowers, inscribed below in black script Que dans les allées du Jardin De Vous plaire fàit son étude., Mon amitié pour Vous sans fìn Autant dans ma solitude, the other bowl with Ou bien asfìs sur une chaise Dans Votre Cabinet charmant and Je suis prés de Vous en rèvant. Dans la partie à l'Angloise, below a purple and gilt fluted border suspending garlands of gilt oak leaves wrapped about the horns of richly gilt ram's head mask handles, on slightly speading feet with gilt stiff-leaf ornament (chipping to horns and ear of one head, minute wear to gilding and very minor small scratch to enamels of one view)
6¾ in. (16.8 cm.) wide (4)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

According to Dr. Berling, Michel-Victor Acier modelled the present lot after the drawings of Johann Elias Zeissig, called Schönau (b. 1737).

Acier (1736-95), a French sculptor, was brought from France to introduce the latest in fashionable French Louis XVI designs very much in the manner of those published by Joseph Marie Vien in his Suite de Vases composee dans le Gout de l'Antique (1760), in the hope that this would help Meissen to compete with Sèvres and resuscitate Meissen's trade after the financial problems brought about by the Seven Years' War.

For an example with a cover and stand (the stand in particular would appear to be unassociated with the écuelle), see Dr. K. Berling, Königlich Sächssissche Porzellanmanufaktur Meissen (1910), p. 73, pl. 175 F42 and p. 76 (later published as Meissen China, An Illustrated History [New York, 1972], pl. 175). Also see Otto Walcha, Meissner Porzellan (1973), pp. 488-9, no. 160 for a white example of the same form without a cover or stand.

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