A Dutch silver tea-kettle with a stand and lamp
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A Dutch silver tea-kettle with a stand and lamp

MARK OF DIRK KORPER, AMSTERDAM, 1693, THE STAND, INDISTINCT MARK OF OTTO ALBRINK, AMSTERDAM, 1705

Details
A Dutch silver tea-kettle with a stand and lamp
Mark of Dirk Korper, Amsterdam, 1693, the stand, indistinct mark of Otto Albrink, Amsterdam, 1705
The compressed melon-shaped kettle on later applied rim, engraved with a later English coat-of-arms, the six panels each applied with cut-card work engraved with scrolling foliage and flowers on a matted ground, the shoulder with similar floral cut-card band above, the partly fluted spout with satyr's mask terminating in a foliage capped bird's head, the detachable flat cover with scalloped rim, similar ornament and partly later ivory button finial, with openwork swing handle, the pierced hexafoil stand on three scroll feet surmounted with shields within cartouches, the bifurcated scroll brackets above supporting a similarly decorated frame with later central ring, marked on base, kettle and stand
36.5 cm. (14 3/8 in.) overall height to top of handle
gross 2402 gr. (77 oz.)
The arms are those of Thomson impaling White quartering Porter, for Robert Thomson of Camphill (1797-1833) and his wife Mary, daughter of Thomas White of The Close, Lichfield, whom he married in 1830. (2)
Provenance
With Pieter Hoogendijk, Baarn, 1995, acquired by
Dr Anton C.R. Dreesmann (inventory no. G-109).
Literature
Elka Schrijver, 'Europe's earliest silver tea-kettle', The Connoisseur, October 1969, pp. 81-84.
Special notice
Christie's charges a Buyer's premium calculated at 20.825% of the hammer price for each lot with a value up to €90,000. If the hammer price of a lot exceeds €90,000 then the premium for the lot is calculated at 20.825% of the first €90,000 plus 11.9% of any amount in excess of €90,000. Buyer's Premium is calculated on this basis for each lot individually.

Lot Essay

Until 1995 the maker's mark on the kettle was thought to have been that of Pieter de Keen, but recent research has identified it as that of Dirk Korper. Another similar early tea-kettle on stand with lamp, by Johannes Pieters de Vos, Leeuwarden, dated 1697, is recorded (see A.C. Beeling, Nederlands Zilver 1600-1813, vol. III, Leeuwarden, 1986, pp. 214-215, illustrated).
A large part of the decoration on the kettle and stand is applied in the cut-card technique. Dutch cut-card work of this type consists of a thin piece of silver which is soldered onto a granulated body. Sometimes the applied pieces of silver are decorated with engraving, as is the case with the Chinese poppies on the body of the present kettle. The cut-card technique was applied in The Netherlands only for a relatively short period, from circa 1675 to 1730. The earliest known example of Dutch cut-card work is a tea-caddy by an anonymous Amsterdam silversmith, 1677 (see J.R. de Lorm, Amsterdams Zilver, Zwolle, 1999, p. 74-75, no. 30). Otto Albrink, the maker of the stand and lamp, also used cut-card work on a coffee urn dated 1714 (see J.W. Frederiks, Dutch Silver II, The Hague, 1958, no. 265, plate 91). An unmarked coffee-pot, dated circa 1700, with lavish cut-card ornament was sold by anonymous sale; Christie's, Amsterdam, 13 November 2001, lot 365.

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