AN IRISH MAHOGANY LIBRARY TABLE
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AN IRISH MAHOGANY LIBRARY TABLE

19TH CENTURY, ADAPTED FROM A PAIR OF TABLES

Details
AN IRISH MAHOGANY LIBRARY TABLE
19th Century, adapted from a pair of tables
The moulded rectangular top above a fluted frieze, with three oak-lined drawers on the front and reverse, on square tapering fluted legs headed by oval paterae and joined by a concave-cut undertier, on turned feet, the handles original, the lower part previously enclosed with chicken wire and consequently with later moulding to the undertier, inscribed in chalk on the underside '26', the central 9 in. of the top replaced
31 in. (78.5 cm.) high; 62 in. (157.5 cm.) wide; 58¾ in. (149 cm.) deep
Provenance
Supplied to Thomas Conolly Esq. (d.1876) for Castletown, Co. Kildare following his marriage to Elizabeth Shaw, daughter of Joseph Shaw of Temple House, Co. Kildare
Literature
1893 Inventory (James Adam), Library, 'Mahogany Library Table resting on ten rectangular taper legs, fluted, rail surfaces fluted with finly carved patera over every leg, in fine condition, top slightly scratched Border molding a little knocked.'
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This mahogany writing-table once formed the centrepiece of the library that was fitted out in the 'Adams' manner at Castletown, Co. Kildare following the marriage in 1868 of Thomas Conolly (d. 1876) to Elizabeth Shaw, daughter of Joseph Shaw of Temple House, Co. Kildare. Its antique-fluted frieze enriched with sunflowered paterae harmonised with the entablature of the bookcases lining the walls. Formed from two side tables, it is designed en suite with a further pair of side-tables also with fitted bookshelf-stretchers. Its design with paired legs, of hermed pilasters in the Roman tripod fashion, derived from the George III sideboard-table pattern of the 1760s. Its present form, comprising paired and addorsed tables, reflects the 19th Century practice of removing 'commode-bureau-tables' from window-piers to stand back-to-back in the centre of a room (cf. Althorp library writing-table illustrated in P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, rev. ed., 1954, vol. III, p. 335). This elegant style reflects the revived interest in the later 19th Century in the George III 'antique' fashion that had been popularised by The Works in Architecture of Robert and James Adam, 1773/4. The 'Adams' taste was encouraged by exhibits at the Great International Exhibitions held in the later 19th Century in London and Paris.

We are grateful to David Griffin of the Irish Architectural Archive for the information on the table in the 1893 Castletown Inventory.

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