Lot Essay
During the 1950s Moore received commissions for large sculptures to be placed in architectural settings, most importantly Draped Reclining Figure (Bowness, no. 336) for the Time-Life Building in London and the travertine marble Reclining Figure (Bowness, no. 416) for the UNESCO headquarters in Paris. The problems of relating the figure to its architectural surroundings continued to fascinate the artist and during this period, he produced about a dozen sculptures on a smaller scale in which the composition incorporates the figure and an architectural backdrop.