Noli me tangere

Details

Attributed to Arent de Gelder (1654-1727)
Noli me tangere
oil on canvas, laid down on panel
30.4 x 23.1 cm.

Provenance

Anon. Sale, Christie's, London, 4 March 1966, lot 25, as 'Seghers', erroneously described as Christ and the woman of Samaria (16 gns.).

Literature

D.R. Van Fossen, The Paintings of Aert de Gelder, unpublished thesis, Cambridge (Mass.), May 1969, no. 103, as Aert de Gelder.
W. Sumowski, Gemälde der Rembrandt-Schüler, II, Landau/Pfalz, 1983, p. 1172, under no. 776, as Aert de Gelder.
J.W. von Moltke, et al., Arent de Gelder, Dordrecht 1645-1727, Doornspijk, 1994, p. 113, no. D7, fig. 54, under Doubtful Paintings.

Exhibited

Leyden, Stedelijk Museum, Rondom Rembrandt, 1968, no. 15.

Special notice

Christie's charges a Buyer's premium calculated at 23.205% of the hammer price for each lot with a value up to €110,000. If the hammer price of a lot exceeds €110,000 then the premium for the lot is calculated at 23.205% of the first €110,000 plus 11.9% of any amount in excess of €110,000. Buyer's Premium is calculated on this basis for each lot individually.

Lot Essay

The present lot has traditionally been regarded as a preliminary sketch for the Christ before the two Marys in Aschaffenburg, which belongs to the Passion Series executed at the end of the artist's life. However, this opinion can no longer be sustained. De Gelder did not use oil sketches as prepatory works, but rather expressed himself directly onto the canvas. That this is also the case in the present lot is shown in the garments of Christ where the artist has removed some paint with the back of his brush, as well as by the different representation of the figure of Christ, which displays a great deal of originality. These are arguments in favour of the attribution here proposed.

We are grateful to Drs. Guus Sluiter for his assistance in preparing this catalogue entry.

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