A SET OF TWELVE ITALIAN NEOCLASSIC BRONZE AND ORMOLU BUSTS ON ORMOLU MOUNTED EGYPTIAN PORPHYRY BASES
PROPERTY OF A DISTINGUISHED PRIVATE COLLECTOR (Lot 369)
A SET OF TWELVE ITALIAN NEOCLASSIC BRONZE AND ORMOLU BUSTS ON ORMOLU MOUNTED EGYPTIAN PORPHYRY BASES

LATE 18TH CENTURY/EARLY 19TH CENTURY, THE GILT SOCLES WITH ADDITIONAL SCREW-HOLES SUGGESTING THAT THE PORPHYRY BASES ARE ASSOCIATED, POSSIBLY IN THE LATE 18TH/EARLY 19TH CENTURY

Details
A SET OF TWELVE ITALIAN NEOCLASSIC BRONZE AND ORMOLU BUSTS ON ORMOLU MOUNTED EGYPTIAN PORPHYRY BASES
Late 18th Century/early 19th century, the gilt socles with additional screw-holes suggesting that the porphyry bases are associated, possibly in the late 18th/early 19th century
All crowned with oak leaves and either wearing breast plate armour or togas, with French 19th century paper labels identifying them as No. 1 C. Jules César; No. 2 Octave Auguste; No. 3 Tibere; No. 4 Caligula; No. 5 Claude; No. 6 Neron; No. 7 Galba; No. 8 Otho (not labeled) ; No. 9 Vitellius, 10 Vespasien; No. 11 Titius; No. 12 Domitien, the label for 'number 8' missing and unidentified, all on ormolu socles and additional ormolu-mounted circular porphyry bases
all the busts ranging in height from 10¾in. (27cm.) to 11¼in. (28.6cm.); the bases ranging in height from 5½in. (14cm.) to 6in. (15.2cm.) and 5in. (12.7cm.) wide and deep (12)
Provenance
Property of a Private Collector, Formerly the Delbée-Jansen Collection, sold Christie's Monaco, 10 December 1999, lot 514 (FF1,992,500/$298,875 including premium), as 19th century.

Lot Essay

The fine quality of casting and realistic modeling of these busts is akin to the work of Francesco Righetti as in his figure of a warrior dated 1790 Colnaghi Gallery, London (see A. González-Palacios, Il Tempio del Gusto, Milan, 1984, tome II, p. 136, fig. 301).

The grouping together of emperors dates back at least to the time of Suetonius' Lives of the Caesars, around 110 A.D. The number depicted was originally twelve, as in this set, but smaller combinations are often found, as artists modified the theme to suit their own demands. Representations of the series exist also in marble, wood, enamel, porcelain and other media. These finely cast examples therefore stem from a rich artistic pedigree.

THE DELBéE-JANSEN COLLECTION

The design collaboration of Henri Jansen and Pierre Delbée began in 1930 when M. Delbée joined the established and renown design firm of Jansen. Delbée became one of the four directors of the firm and among other prestigious commissions, was called on by the Shah of Iran to adorn the ruins of Persepolis in honor of the 2500th Anniversary of the Persian Empire. Pierre and Suzy Delbée formed a remarkable and eclectic collection of furnishing and decorations influenced in part by the varied and unique styles of Pierre's clientele. From silver-mounted ostrich eggs, to Regency globes to the busts of the twelve Caesars, this diverse assemblage of decorative arts was brought together in a well thought out aesthetic harmony.

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