Antonio Manuel (1947)
Antonio Manuel (1947)

Enterro: From the Flan series

Details
Antonio Manuel (1947)
Enterro: From the Flan series
signed, dated and inscribed 'Antonio Manuel 1968 Flan' on the reverse
assembled printing plates
14 3/8 x 14¾in. (36.5 x 37.5cm.)
Executed in 1968
Provenance
Private collection, New York
Literature
Centro de Arte Helio Oitica & et al. Antonio Manuel, Rio de Janeiro, 1997
Gibson, E. and Ramírez, M. Re-aligning Visions: Alternative Currents in South American Drawing, New York, El Museo del Barrio, 1997, n.p.
Duarte, P. Anos 60: transformaçes da arte no Brasil, Campos Gerais, Rio de Janeiro, 1998, p. 68-70, n.n. (another example illustrated in color)
Carneiro, L. and Pradilla, I. Antonio Manuel, Centro de Arte Hélio Oiticica, Lacerda Editores, Rio de Janeiro, 1999, p. 22-26, n.n.
Fundaccao de Serravaels, Antonio Manuel, Porto, 2000, n.p.
Fernandes, J. Antonio Manuel: The Real as a Medium in the Manifestation of Works of Art, Rio de Janeiro, p. 17

Lot Essay

Antonio Manuel began working with journals in 1966, highlighting or erasing with oil stick specific information and images from the pages. He was particularly interested in the manipulation of the linguistic relation between headings and images. The flans (1967-1968) appeared during the reign of a particularly repressive government, and made explicit reference to the political moment of the times. They were created from used news plates recuperated from the major journals in Brazil including O Globo and Journal da Bahia. Many of the flans were censured and confiscated by the police resulting in the destruction of an extensive body of work.

More from Latin American Sale

View All
View All