A rare and important silver, ivory and lapis lazuli inlaid centrepiece
Christie's charges a Buyer's premium calculated at… Read more THE KOLOMAN MOSER CENTREPIECE
A rare and important silver, ivory and lapis lazuli inlaid centrepiece

DESIGNED BY KOLOMAN MOSER IN 1904, EXECUTED BY JOSEF HOLI FOR THE WIENER WERKSTÄTTE, CIRCA 1905

Details
A rare and important silver, ivory and lapis lazuli inlaid centrepiece
Designed by Koloman Moser in 1904, executed by Josef Holi for the Wiener Werkstätte, circa 1905
The circular tray continuing into a central column supporting a semi-globular tureen-bowl, crowned by a stepped lid with disc-shaped finial, the bowl flanked by two partly ivory angular handles, decorated with geometrical bands inlaid with 108 pieces of square polished lapis lazuli
37cm. high x 36cm. wide x 33cm. deep (2726gr. gross)
Maker's mark of Josef Holi, designers mark of Koloman Moser, stamped Wiener Werkstätte monogram and rosemark, Viennese poinçoin
See illustration
Special notice
Christie's charges a Buyer's premium calculated at 23.205% of the hammer price for each lot with a value up to €110,000. If the hammer price of a lot exceeds €110,000 then the premium for the lot is calculated at 23.205% of the first €110,000 plus 11.9% of any amount in excess of €110,000. Buyer's Premium is calculated on this basis for each lot individually.

Lot Essay

Koloman Moser designed the tureen - the most important component of a dinner service - in the first half of 1904, shortly after the Wiener Werkstätte was founded. In total six examples of this design are known to have existed. However no other pieces have shown up so far. Initially two versions were executed, somewhat different in proportion to the present lotnumber. The tureen made for Hirschwald (illustrated on the previous page) and the one for Leitner were executed in respectively September and December 1904. In 1905 two other pieces were made as a special commission for Felix Kohn and an anonimous Dresden-resident.
This is Moser's biggest design executed in silver. The incorporated tray was meant to be draped with flowers and branches.
A complete service was exhibited at the 1906 Gedeckte Tisch exhibition in Vienna where designs by Koloman Moser and Josef Hoffmann attracted a lot of attention. The Viennese art-critic Bertha Zuckerkandl commented: "(..) gentlemen preferred Hoffmann designs, the ladies crowded around the designs by Moser (..)".
In February 1907 Moser left the Wiener Werkstätte.

See for comparison:
Deutsche Kunst und Dekoration, Band XVI, 1905, p. 544 for the Hirschwald example.

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