Lot Essay
Although the first character of the signature is not fully legible, this fine early figure is clearly the work of an artist associated with Hara Shugetsu, a peripatetic doll-maker and netsuke-carver who worked in both Osaka and Edo.1
1 Patrizia Jirka-Schmitz, Netsuke: 112 Meisterwerke: The Trumpf Collection (Stuttgart, 2000), p. 43; Inaba Tsuryu Shin'emon, Soken kisho [Strange and wonderful sword-fittings], vol. 7, Furoku netsuke-shi meifu narabi ni zu [Supplement with illustrations and a list of netsuke artists] (Osaka, 1781), p. 10, verso
1 Patrizia Jirka-Schmitz, Netsuke: 112 Meisterwerke: The Trumpf Collection (Stuttgart, 2000), p. 43; Inaba Tsuryu Shin'emon, Soken kisho [Strange and wonderful sword-fittings], vol. 7, Furoku netsuke-shi meifu narabi ni zu [Supplement with illustrations and a list of netsuke artists] (Osaka, 1781), p. 10, verso