A Regency mahogany longcase clock in the Egyptian Revival taste
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A Regency mahogany longcase clock in the Egyptian Revival taste

RICHARD CHATER, LONDON. CIRCA 1810

Details
A Regency mahogany longcase clock in the Egyptian Revival taste
Richard Chater, London. Circa 1810
The ebony-banded lancet-arched hood with stepped pediment and with gilt-brass capped cluster columns to the door, pierced brass sound frets to the sides, the trunk with conforming arched door and flanked by chamfered angles topped by cast gilt-brass pharaonic bust mounts and terminating in gilt-brass feet, the plinth with raised panel and on stepped skirting, the 11½in. diameter white painted Roman convex dial signed RICH.D CHATER LONDON in the centre, with gilt spade hands, with circular false plate to the five pillar movement with anchor escapement and rack strike on bell
7ft.1¾in. (2.18m.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The brother of a clockmaker, Richard Chater was apprenticed in 1774 and Free of the Clockmakers' Company in 1781. In 1803 he was appointed a Liveryman. He died in 1811.
The design of this clock, with its Egyptian pharaonic busts, owes much to the prevailing fashions of the Regency period. Furniture influenced by Rome, Greece and Egypt was very much à la mode and many fashionable London buyers would have wanted their clocks to show the current taste.
A revival of interest in Egypt can be dated back to Napoleon's expedition of 1798, which lead to the publication of Dominique-Vivant Denon's Voyage dans la basse et la haute Egypte in 1802, published in English the same year. Furniture in the Egyptian style was first shown by Sheraton in his Encyclopedia (1804-6), whilst George Smith's pattern book A collection of Designs for Household Furniture and Interior Decoration (1808) led to its increased popularity.

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