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Details
Various Titles
Five British one-sheets comprising: Saraband For Dead Lovers, 1948, linen-backed; Against The Wind, 1948; A Lamp Is Heavy, circa 1950s; The Gentle Gunman 1952; and Kind Hearts And Coronets, 1960s re-release, all -- 40x27in. (101.6x68.6cm.); five British quads comprising: The Captive Heart, 1946, art by John Bainbridge; Meet Mr.Lucifer, 1954, art by James Fitton; Johnny Frenchman, 1945 (trimmed); Bitter Springs, 1950; and West Of Zanzibar, 1954, art by Winslade, all -- 30x40in. (76.2x101.6cm.); a British half-sheet The Long Arm, 1956 -- 22x28in. (56x71cm.); a British lobby card set The Night My Number Came Up, 1955, all -- 11x14in. (28x35.6cm.); a cinema programme and flyer for Nicholas Nickleby, 1947, programme artwork by Edward Ardizzone; and two smaller posters A Run For Your Money, 1949, art by Wright and Train Of Events, 1949, art by Reginald Mount, both -- 22½x16½in. (57x42cm.), (A- - B+) (a lot)
Five British one-sheets comprising: Saraband For Dead Lovers, 1948, linen-backed; Against The Wind, 1948; A Lamp Is Heavy, circa 1950s; The Gentle Gunman 1952; and Kind Hearts And Coronets, 1960s re-release, all -- 40x27in. (101.6x68.6cm.); five British quads comprising: The Captive Heart, 1946, art by John Bainbridge; Meet Mr.Lucifer, 1954, art by James Fitton; Johnny Frenchman, 1945 (trimmed); Bitter Springs, 1950; and West Of Zanzibar, 1954, art by Winslade, all -- 30x40in. (76.2x101.6cm.); a British half-sheet The Long Arm, 1956 -- 22x28in. (56x71cm.); a British lobby card set The Night My Number Came Up, 1955, all -- 11x14in. (28x35.6cm.); a cinema programme and flyer for Nicholas Nickleby, 1947, programme artwork by Edward Ardizzone; and two smaller posters A Run For Your Money, 1949, art by Wright and Train Of Events, 1949, art by Reginald Mount, both -- 22½x16½in. (57x42cm.), (A- - B+) (a lot)
Special notice
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