A LOUIS XIV SAVONNERIE BENCH-COVER NOW MOUNTED ON A REGENCE STYLE GILTWOOD BANQUETTE
A LOUIS XIV SAVONNERIE BENCH-COVER NOW MOUNTED ON A REGENCE STYLE GILTWOOD BANQUETTE

THE SAVONNERIE PANEL EARLY 18TH CENTURY AND DESIGNED BY JEAN-BAPTISTE BELIN DE FONTENAY (1653-1715), THE BANQUETTE SECOND QUARTER 20TH CENTURY, STAMPED JANSEN

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A LOUIS XIV SAVONNERIE BENCH-COVER NOW MOUNTED ON A REGENCE STYLE GILTWOOD BANQUETTE
The Savonnerie panel early 18th Century and designed by Jean-Baptiste Belin de Fontenay (1653-1715), the banquette second quarter 20th Century, stamped JANSEN
The rectangular Savonnerie panel with a central oval rosette surrounded by floral swags and with squirrels and parrots, on six square-section tapering legs headed by carved acanthus and terminating in blocks and bun feet, joined by two curved X-form stretchers carved with acanthus, the Savonnerie rewoven on three sides
16½in. (41.9cm.) high, 54in. (137cm.) wide, 21in. (53.3cm.) deep, overall

Lot Essay

A virtually identical Savonnerie bench-cover in the Musée du Louvre is illustrated in P. Verlet, Savonnerie: The James A. de Rothschild Collection at Waddesdon Manor, London, 1982, p. 329, fig. 202.
According to Verlet, a set of bench-covers of similar description were delivered to the Garde-Meuble circa 1705 as:-

1914.- Vingt-quatre dessus de tabourets de ouvrage de laine, fabrique de la Savonnerie, représentant au milieu un ornement à la mosaïque, aux quatre coins une vase de fleurs au naturel, par les milieux dex petits escureuils et trois perroquets, sur fonds bleu, entouré d'un compartiment jaune et brun, avec branches et feuillages verds sur fonds rouge, let tout enfermé d'un listel jaune, contenant chacun deux tiers en carré

Belin de Fontenay the elder is considered the designer of the rose moresque pattern with squirrels and parrots, and he is documented as such in three instances of screens and bench-covers having this design. (Ibid, p.325.)

Maison Jansen was founded by Henri Jansen in 1880. Dutch by birth, he established the decorating, furniture-making and antique-dealing firm first in Paris, and later expanding to a variety of cities around the world. The firm's glory days date back to the 1930's, when Stéphane Boudin directed the firm, and its style focused on traditional French designs, in the manner of tous les Louis. Jansen clientele consisted of the crème-de-la-crème of high society, including the Duke and Duchess of Windsor and the Agnellis, to name a few.

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