AN IRISH VICTORIAN YEW WOOD AND MARQUETRY CHEST-OF-DRAWERS
AN IRISH VICTORIAN YEW WOOD AND MARQUETRY CHEST-OF-DRAWERS

KILARNEY, CIRCA 1860 AND ADAPTED PROBABLY FROM A LARGER CABINET

Details
AN IRISH VICTORIAN YEW WOOD AND MARQUETRY CHEST-OF-DRAWERS
Kilarney, circa 1860 and adapted probably from a larger cabinet
The hinged rectangular top above four recessed drawers flanked by shamrock-carved ebonized quartered columns on later shaped bracket feet, inlaid throughout with meandering shamrock in holly, sycamore, laburnum, maple and yew, the sides and both sides of top with inlaid ovals of an Irish harp, mountain eagle, deer and local architectural views, the inner columns later, the lid and feet associated
33½in. (85cm.) high, 36in. (91.5cm) wide, 19½in. (49.5cm) deep

Lot Essay

The manufacture of Killarney Wares began in the 1820s when the town and its lakes and ruins became a tourist attraction for visiting English upper classes. Local bog-oak and bog-yew were carved as small souvenirs, while Artubus wood (arbutus unedo) a tree shrub with Mediterranean origin which grew in the mild and damp climate of South West Ireland, was the primary timber for prestigious wares such as davenports, cabinets and game tables. This furniture established a local style through the use of architectural marquetry of the local tourist sites and decorative inlay of local fauna, flora and Irish symbols like the harp (as on the present lot). The earliest references to souvenirs made was in 1837, but the popularization of Killarney and Killarney wares began in the 1850s after the opening of the railway, and the visit of the Prince of Wales on 17 April 1858 and his public purchase of this local art. In 1861 a visit from the Queen Victoria and the Prince Consort established Killarney's reputation throughout Ireland and abroad. (B. Austen, 'Killarney Inlaid Furniture, A Forgotten Industry', Killarney Newsletter, Spring/Summer 1998, pp. 6 and 7).

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