A rare Roullet et Decamps automaton of a magician with rings
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A rare Roullet et Decamps automaton of a magician with rings

Details
A rare Roullet et Decamps automaton of a magician with rings
the white bisque character head with closed smiling mouth, fixed blue eyes, double chin, arched black brows and two-colour mohair wig with felt hat, the going-barrel movement playing one air and causing him to turn his head, shrug his shoulders as if laughing, his hat moving from side to side and his right arm lifting so that one rings appears to fall through the chain, in orignal cream satin waistcoat with red buttons, red satin tailcoat and black breeches, on velvet-covered base - 23in. (59cm.) high, (paint rub to right eyebrow, satin fraying on right sleeve and side of coat, good movement and tone); in a later glass case.
Provenance
The collection of the late Grace Thompson.
Literature
Babara Krafft (1991), Traumwelt der Puppen, p. 143.

Another example of this piece, with the same distinctive character head, is known in the collection of Annette Beyer.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

The clown magician was used as a prop in the 1972 film 'Sleuth' starring Michael Caine and Lawrence Olivier, adapted from the play by Anthony Schaffer. The crime writer Andrew Whyke (Olivier) invites hairdresser Milo Tindle (Caine) to spend the weekend at Cloke Manner, his country house eccentrically furnished with theatrical props and automata. Whyke uses the pretext of staging an insurance robbery to arrange Tindle's murder, in revenge for an affair Tindle is having with his wife. Tindle is apparently shot (although only with a blank), but returns in the second part disguised as Inspector Doppler to investigate the circumstances of the supposed murder. Doppler's identity is revealed and Caine's chatacter is shot by Olivier at the end of the film. He dies cluctching the electric control for activating the automata, which are all set off at once, and the sound of the music alerts the police (already at the door) to Whyke's crime.

Grace Thompson's mechanical music collection was used extensively for the film; the clown magician appears throughout, including the final sequence.

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