Isaak Il'ich Levitan (1860-1900)
Isaak Il'ich Levitan (1860-1900)

The Mill, the Sunset

Details
Isaak Il'ich Levitan (1860-1900)
The Mill, the Sunset
signed in Cyrillic 'I.Levitan' (lower left)
oil on canvas
20¼ x 13in. (51.5 x 33cm.)
Provenance
Collection of Leo Maskovskii
Christie's Geneva, 17 May 1994, Lot 189
Literature
Glakol, S. and Grabar, I., Isaak Il'ich Levitan (Moscow, 1913), listed p. 102, ill. opposite p. 16
Fedorov-Davidov, A. Isaak Il'ich Levitan, (Moscow, 1966), vol I, ill. p. 93, vol II listed under n. 223
Exhibited
Moscow, Posthumous Exhibition of Works by the Academician I.I. Levitan (1901), no.83
St. Petersburg, Posthumous Exhibition of Works by the Academician I.I. Levitan, (1901), n. 93

Lot Essay

Representing the same landscape and painted in the same year as the well-known painting entitled The Autumn, The Mill, which is now in the Tret'iakov Gallery in Moscow, the whereabouts of the present painting was uknown for more than ninety years.

Born in Kybartai, Lithuania, Levitan studied at the Moscow School of Painting, Sculpture and Architecture, living in extreme poverty. In 1874-75 the Board of Teachers awarded him a 'box of paints and brushes' for his progress, who was already showing preference for landscape painting; in 1876 he was accepted into the studio of Alexsei Savrasov, and exhibited two canvases at the 5th Wanderers' Moscow exhibition. In 1880, Levitan's entry Sokol'niki Park in his school's second Student's Exhibition was bought by Pavel Tret'iakov, which initiated public recognition of his talent as one of Russia's leading landscape artists and Impressionists. Levitan, the most outstanding Russian landscape painter of the late nineteenth century, enriched the realistic landscape tradition by creating canvases of profound philosophical depth and social significance. His landscapes are extremely diverse and complex: at times fresh, resonant and joyful such as Spring Verdure, (May 1888) and The Birch Grove, (1885-89); and at times filled with anxiety and sadness such as Deep Waters, (1892) or Eternal Rest, (1894) which reflected the artist's mood during the years of political reaction.
Leo Maskovskii left Russia during the Revolution and acquired an important collection of Russian paintings in the Baltic countries in the 1920s including Boris Kustodiev, Reclining Nude in Bed, and Konstantin Somov, The Young Sleeping Woman (both sold at Christie's London, 5 October 1989)

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