拍品專文
Perhaps the most beloved painter of the School of Lyon, Simon Saint-Jean quickly established a solid international reputation as a flower painter with an international clientele scattered throughout Continental Europe and Russia. Other distinguished patrons included the Rothschilds as well as friends of art dealers such as Paul Durand-Ruel.
This classic work illustrates Saint-Jean's concern for strict botanical precision. One of his students recounted how he would often take two days to paint a single rosebud. His choice of flowers and their placement at ground level, presumably at the edge of a forest introduces a more romantic element to his paintings.
Gibson's purchase is listed in the account books of Goupil's branch office in New York. By 1857, Knoedler had effectively taken over Goupil's New York operations, even though the gallery retained the name up until 1891.
*This lot may be exempt from sales tax as set forth in the Sales Tax Notice in the back of the catalogue.
This classic work illustrates Saint-Jean's concern for strict botanical precision. One of his students recounted how he would often take two days to paint a single rosebud. His choice of flowers and their placement at ground level, presumably at the edge of a forest introduces a more romantic element to his paintings.
Gibson's purchase is listed in the account books of Goupil's branch office in New York. By 1857, Knoedler had effectively taken over Goupil's New York operations, even though the gallery retained the name up until 1891.
*This lot may be exempt from sales tax as set forth in the Sales Tax Notice in the back of the catalogue.