A fine Regence style ormolu-mounted tulipwood, kingwood and mahogany bureau a cylindre
PROPERTY FROM A PRIVATE COLLECTION (Lots 119-120)
A fine Regence style ormolu-mounted tulipwood, kingwood and mahogany bureau a cylindre

POSSIBLY BY JOSEPH-EMMANUEL ZWIENER, CIRCA 1880

Details
A fine Regence style ormolu-mounted tulipwood, kingwood and mahogany bureau a cylindre
Possibly by Joseph-Emmanuel Zwiener, Circa 1880
The cylinder section with shaped top and pierced foliate three-quarter gallery, above three concave-fronted narrow flute and acanthus-mounted frieze drawers, the roll front centred by a massive mount cast with a basket of ribbon-bound flowers, bow and arrows, musical pipes and trailing foliage, flanked to the sides by a pair of three-light male and female herm candelabra, the interior fitted with recessed compartments and two drawers above a pull-out leather-lined writing surface, the panelled sides applied with acanthus clasps, the back centred by a further massive mount cast with a ribbon-bound shield, bow, quiver of arrows and crossed oak and laurel branches, the rounded corners each mounted with a stylised upended dolphin among reeds, the lower section centred by a recessed drawer with foliate cartouche escutcheon, flanked by a pair of deep drawers edged with scrolled acanthus, the right-hand drawer with interior locking compartment, the shaped sides each with a pull-out slide, the back with central scrolled foliate mount and balustraded edge, on cabriole legs headed by winged female masks and terminating in acanthus-mounted lion-paw feet, together with an associated and later ormolu-mounted mahogany desk chair with Minerva mounts
58½in. (148.6.) high; 69in. (175.3cm.) wide; 35in. (89cm.) deep (2)
Provenance
Acquired in Paris in 1954 by the late mother of the present owner

Lot Essay

The inspiration for this fine quality bureau à cylindre almost certainly comes from the celebrated bureau du Roi by Jean-François Oeben (maître 1761) and Jean-Henri Riesener (maître 1768), supplied in 1769 for the cabinet intérieur of Louis XV at Versailles.

The quality of cabinetry combined with particularly fine and sumptuous ormolu mounts, suggest the German born cabinet-maker, Joseph-Emmanuel Zwiener, as a possible maker for the present desk. Aside from the quality of the mounts, it is also interesting to note the close similarity of the upended dolphins, female masks and acanthus clasps here, with those designed by the sculptor Léon Messagé and incorporated on an armoire by the celebrated ébéniste François Linke, sold in these rooms 24 April 2002, lot 378 ($339,500). In addition to Linke, Messagé is known to have collaborated with a number of other cabinet-makers, including Zwiener, and his designs were not necessarily confined to one individual maker's work.

A bureau à cylindre with identical lower section to the present lot and almost identical figural candelabra, was offered Sotheby's New York, 15 December 1984, lot 41. A cylinder bureau of related design, from the New Orleans collection of Joseph M. Meraux, was sold Sotheby's New York, 17 September 1993, lot 197 ($195,000).

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