Lot Essay
It is now generally accepted, at least among specialists in Japan, that Ogata Korin (1658-1716) did not actually manufacture any works in lacquer although he did undoubtedly supply designs for lacquerware; furthermore, the majority of pieces bearing his signature were not made in his lifetime. The present Lot is most probably an instance of the revival of the Rinpa style that took place in the years after 1816, the centenary of Korin's death.
The kogo with an unidentified attribution dated to the 49th year of the cycle, probably 1912.
The kogo with an unidentified attribution dated to the 49th year of the cycle, probably 1912.