Naked Man seated before a Curtain (B., Holl. 93, H. 220)
Details
Rembrandt Harmensz. van Rijn
Naked Man seated before a Curtain (B., Holl. 93, H. 220)
etching, 1646, a good impression of the first state (of two), trimmed just into the subject at three sides, just into the 'f' of the signature at the lower edge, an old pen and ink number at the lower left corner, laid on paper; together with a four late impressions by the same hand, Self Portrait in a cap and scarf, with the face dark (B. 17), The Adoration of the Shepherds: a Night Piece (B. 46), The Return of the Prodigal Son (B. 91) and The Strolling Musicians (B. 120), one copy in reverse: two by Lucas van Leyden, The Descent from the Cross (B. 53) and The Gentleman with the Hawk and the Lady (B. 145), and The Concert (G. 30) by Adriaen van Ostade
S. 97 x 63mm. (9)
Naked Man seated before a Curtain (B., Holl. 93, H. 220)
etching, 1646, a good impression of the first state (of two), trimmed just into the subject at three sides, just into the 'f' of the signature at the lower edge, an old pen and ink number at the lower left corner, laid on paper; together with a four late impressions by the same hand, Self Portrait in a cap and scarf, with the face dark (B. 17), The Adoration of the Shepherds: a Night Piece (B. 46), The Return of the Prodigal Son (B. 91) and The Strolling Musicians (B. 120), one copy in reverse: two by Lucas van Leyden, The Descent from the Cross (B. 53) and The Gentleman with the Hawk and the Lady (B. 145), and The Concert (G. 30) by Adriaen van Ostade
S. 97 x 63mm. (9)
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