The hunted animals taking revenge: A goat, a boar and bears roasting a hunter on a spit, other animals hanging his dogs from a gibbet, an elephant bringing wood and animals dancing in a circle, after Paulus Potter

The hunted animals taking revenge: A goat, a boar and bears roasting a hunter on a spit, other animals hanging his dogs from a gibbet, an elephant bringing wood and animals dancing in a circle, after Paulus Potter

細節
The hunted animals taking revenge: A goat, a boar and bears roasting a hunter on a spit, other animals hanging his dogs from a gibbet, an elephant bringing wood and animals dancing in a circle, after Paulus Potter
black chalk, pen and brown ink, watercolor, on two joined sheets of milled paper, in a contemporary mount
16¼ x 31¾ in. (411 x 809 mm.)

拍品專文

This drawing and the following lot are taken from Paulus Potter's The Life of the Hunter, now in the Hermitage, Saint Petersburg (A. Walsh et al., Paulus Potter, Paintings, Drawings and Etchings, exhib. cat., The Hague, Mauritshuis, 1994, no. 24). The painting was in the 18th Century in the collection of his patron the Landgrave of Hessen-Kassel, and Tischbein would have had easy access to the collection as his elder brother Johann Heinrich was director of the Kassel picture gallery. The painting was looted by the French in 1806, giving a terminus ante quem for this group of drawings.
Potter's painting was described by Goethe as 'a poem in paint' (quoted in A. Walsh, op. cit., p. 127). The subject was chosen by Potter as an allegory of the political situation in the Dutch Republic in the 1650s, when the States were becoming restless at the military ambitions of the young Stadtholder Prince Willem II.