A Charles X mahogany month-going astronomical regulateur de parquet with perpetual calendar and equation of time
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A Charles X mahogany month-going astronomical regulateur de parquet with perpetual calendar and equation of time

HONORÉ PONS, PARIS. CIRCA 1825

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A Charles X mahogany month-going astronomical regulateur de parquet with perpetual calendar and equation of time
Honoré Pons, Paris. Circa 1825
The case with moulded detachable pediment, the glazed trunk door with hidden spring-loaded catch.
The dial with a gilt finely matted mask, the silvered Roman and Arabic chapter ring within a beaded bezel, Breguet style blued steel hands with counterpoised sweep centre seconds, plain hour hand, the minute hand with extended tail applied with a gilt sunburst indicating to the revolving silvered solar ring engraved TEMPS VRAI, the centre decoratively pierced out with chased and engraved leaves revealing the motionwork and equation rack, the dial signed HONORÉ PONS À PARIS on a silvered oval sector within a foliate pierced and engraved plaque also forming a contilevered cover opening to reveal two steel squares for adjusting the solar and lunar positions engraved LA LUNE +/- LE SOLEIL +/- and 1(turn)= 12 H(hours), the calendrical and lunar dial below within a beaded bezel with outer silvered ring engraved with the month and its correct number of days, the inner concentric ring engraved with the signs of the zodiac, the inner central revolving silvered disc engraved L'ÂGE DE LA LUNE and calibrated 0-29½, the age of the moon read by a chamfered recess in the tail of a gilt sunburst hand also indicating to the outer calender ring, the central silvered disc engraved ORBIT DU SOLEIL ORBIT DE LA LUNE, LATITUDE SEPTENTRIONALE LATITUDE MÉRIDIONALE, the two chamfered blued steel arrows indicating NOEUD ASCENDANT & NOEUD DESCENDANT, the sun and moon eclipse indicated by the movement of a small blued steel disc operated by a spring-loaded snail cam moving across a small gilt sun spot.
The going train held in the upper section of the movement with five wheel high count train, gilt deadbeat Graham-type escapement with jewelled pallets, the 'scape wheel pivots in jewelled châtons, maintaining power to the barrel, the backplate signed Honoré Pons À PARIS and with further engraved inscriptions;
1850 BOZZO
PARIS NIORT
1894 C.LECLERQ
1910 A.BAUJAULT
1952 REST C.B.
1997 P.J. LE CH.
the escapement planted on the backplate with fine adjustment to the crutchpiece, the massive nine-rod gridiron pendulum with knife-edge suspension, the calendar movement positioned beneath the going train connected by planetary wheels and held in a seperate sub-assembly with the equation wheel planted on the backplate
79in. (201cm.) high
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Christie's charges a Buyer's premium calculated at 23.205% of the hammer price for each lot with a value up to €110,000. If the hammer price of a lot exceeds €110,000 then the premium for the lot is calculated at 23.205% of the first €110,000 plus 11.9% of any amount in excess of €110,000. Buyer's Premium is calculated on this basis for each lot individually.
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拍品專文

Honoré Pons, known as Pons-de-Paul, was born circa 1780 in Grenoble. The son of a musical instrument maker he moved to the rue de la Huchette, Paris, it was thought he was apprenticed to Jean-André Lepaute. Certainly he must have established his reputation quickly as in 1807 he was chosen by M. de Champagny, the Minister of the Interior, to revive the clock-making industry of St Nicolas d'Aliermont near Dieppe. Pons appears to have been very successful. He formed the clockmakers into a guild, the Fabrique d'Horlogerie de Saint-Nicolas d'Aliermont, which was directed by him to co-ordinate the industry. Their basic income came from making blancs roulants or unfinished movements, which were sold to be finished off by clockmakers in Paris. In 1819 the Fabrique gained two silver medals at the Paris exhibition for their blancs - one to the town as an encouragement and the other to Pons personally. He won another silver medal in 1823 and a gold in 1834, by which time he had played a crucial part in establishing France's clock export trade. For his services to French horology he was made a member of the Legion d'Honneur. See Charles Allix, Carriage Clocks, Antique Collectors' Club, London, 1974, pp.88-93.

Pons made very few clocks under his own name and those that he did make were often well constructed, highly individual and probably made to order. The present clock exhibits such extraordinarily complex features that one can only conclude that this was his tour de force. The dial has wonderful individuality and displays some unusual and eye-catching features. Matting is usually reserved for the dial centre but here Pons has turned the concept around to give a most arresting effect that draws the eye to the all-important chapter rings. The finely sculpted ormolu hands indicate normal time but the tail of the minute hand is appropriately fashioned as a sunburst. This has a fine pointed tip which at all times indicates to a silvered independently rotating minute ring which indicates 'true' or solar time. Owing partly to the eccentric path of the Earth's axis to the equator, the solar day does not accord with the mean day (Greenwich Mean Time). Solar time varies constantly through the year, at times being as much as 16 minutes slower or faster than Mean Time. There are only four days in the year when the two times are within a few seconds of being exactly 24 mean hours long. To be able to show this variation mechanically requires the construction of a far more complex movement centred around an equation cam which regulates the speed of the solar ring.

The smaller calendar dial beneath the main chapter ring displays a remarkably complicated juxtaposition beetween the moon, the sun and the earth. In the centre is a gilt solar hand with the ecliptic and the lunar orbit. In addition there are the apogess, perigees, perhelion and aphelion indicating the moon's orbit in relation to the sun and the earth. Lunar indications of this complexity are so unusual that one can only assume that this clock was made for a very discerning and academically-inclined client.