A PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS
THE COLLECTION OF EVELYN G. HAYNES (lots 166-168)
A PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS

ATTRIBUTED TO WILLIAM AND JOHN LINNELL, CIRCA 1775

Details
A PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS
Attributed to William and John Linnell, circa 1775
Each oval padded back surmounted by a palmette and drapery swag flanked by padded arms on curved guilloche-carved supports terminating in foliage, the rounded seat with guilloche rail on foliate-cuffed turned fluted tapered legs with gadrooned feet, each marked RX2956/3A and stamped VI and II respectively, with typed dealer labels to the underside of each from Stuart and Turner Ltd., regilt, with cramp cuts and batten carrying-holes (2)
Provenance
Acquired from Stuart & Turner Ltd., Newbury, Berkshire, England, September 1949.

Lot Essay

These chairs, with ribbon-guilloche rails and palm-wrapped, antique-fluted and reeded legs share many features with the seat furniture supplied to Robert Child at Osterley Park, Middlesex, by the Berkeley Square cabinetmaking firm of William and John Linnell. Their form corresponds to medallion-backed bedroom chairs designed in 1777 by the architect Robert Adam ( M. Tomlin, Catalogue of Adam Period Furniture, London, 1982 fig H/3a and G/1) and also relates to a pattern by Linnell circa 1775-1780 for a suite upholstered in Gobelin tapestry, designed to accompanying wall-hangings featuring medallion vignettes by Frangois Boucher inspired by Ovid's Metamorphoses or 'Loves of the Gods' (illustrated in H. Hayward and P. Kirkham, William and John Linnell, vol. II, p. 47, fig. 92 & 94).

An identical pair of chairs probably from the same suite was sold from a private collection in these Rooms, 12 April 1996, lot 27, whilst the matching settee from the same suite is illustrated in P. Johnson, The Phillips Guide to Chairs, 1989, p. 88.

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