A GEORGE III MAHOGANY SERPENTINE COMMODE
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A GEORGE III MAHOGANY SERPENTINE COMMODE

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A GEORGE III MAHOGANY SERPENTINE COMMODE
The shaped moulded canted rectangular top above four graduated drawers, between foliage-carved truss angles, above a serpentine leaf-carved apron, on ogee bracket feet with countersunk metal anti-friction castors, the top drawer previously fitted, the back and sides of the top drawer relined, the metalwork replaced, the slight variance between the drawing of the carved trusses and the feet is probably a mid-18th century provincial interpretation rather than a subsequent addition, the bases of the feet possibly originally with additional moulding
33¼ in. (84.5 cm.) high; 45¼ in. (115 cm.) wide; 24¾ in. (63 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

The serpentine-fronted chest with acanthus-enriched truss angles epitomises the moment in mid-18th century English furniture design in which the fashionable French or 'modern' style is combined with the picturesque, Gothic and the Antique. The Jonesian truss angles which derive from Isaac Ware's Some Designs of Mr William Kent and Mr Inigo Jones, 1731 are elaborately carved with picturesque acanthus while the bracket feet are carved with shallow Gothic quatrefoils. The shapely outline of the front also reflects the Hogarthian 'serpentine line' as promoted in his Analysis of Beauty, 1753. A design related to this commode featured in Thomas Chippendale's Gentleman and Cabinet-makers Director, 1754, pl. LXVI and described there as a 'French Commode Table'.

A pair of almost identical commodes of this pattern but with a brushing-slide was sold anonymously, Sotheby's New York, 19 October 2001, lot 217 ($55,375).

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