A GEORGE III SATINWOOD AND FLORAL MARQUETRY BREAKFRONT BOOKCASE
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A GEORGE III SATINWOOD AND FLORAL MARQUETRY BREAKFRONT BOOKCASE

ATTRIBUTED TO MAYHEW AND INCE

Details
A GEORGE III SATINWOOD AND FLORAL MARQUETRY BREAKFRONT BOOKCASE
Attributed to Mayhew and Ince
Crossbanded overall with sabicu and inlaid with ebony and boxwood lines, the breakfront cornice inlaid overall with simulated flutes and surmounted to the centre with a stylised broken scroll swan-neck pediment with neo-classical urn inlaid with a pearled border above an acanthus cup and spreading splayed socle, the broken pediment inlaid with richly-engraved acanthus arabesques and spiralling rosettes, the frieze inlaid with simulated flutes and with 19th century bronze library numbers 62, 63 and 64, above a pair of glazed doors with repeating oval and lozenge-pattern glazing flanked by two further corresponding doors with stylised floral patera enclosing a fitted interior with three adjustable shelves to the centre and four to each side, all with corresponding 19th century brass alphabetical denominations, the moulded low waist above a fluted frieze and a pair of panelled doors with central rosette patera on a sabicu ground enclosing a fitted interior with a further adjustable shelf flanked by two tiers of three drawers with domed foliate patera handles above a moulded plinth base, one drawer with pasted in photograph of Northwick Park, the locks to the lower section with S-pattern keyholes
103½ in. (263 cm.) high; 76 in. (193 cm.) wide; 15¼ in. (38.5 cm.) deep
Provenance
The late Captain E.G. Spencer-Churchill, M.C., Northwick Park, Gloucestershire, Christie's house sale, 28 September 1964, lot 168.
Bought from Norman Adams.
Literature
C. Claxton Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, Woodbridge, rev. ed., 1985, p. 223 ('... satisfying proportions ...').
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis
Sale room notice
This bookcase is recorded in the Library in the 1859 inventory of Northwick Park ('A bookcase satinwood inlaid, with drawers and enclosed with doors') but it is not recorded in the later 19th century inventories or that taken in 1912 when George Spencer-Churchill inherited the house. This suggests that on the death of the 2nd Lord Northwick in 1859 it was either sold or inherited separately, to be bought or left back to the house during George Spencer-Churchill's life. There theory is supported by the history of the chamber organ, possibly also by Mayhew and Ince. This is also present in the 1859 inventory, absent in the later ones, and had returned to the house to be lot 246 in the house sale in 1964.

Lot Essay

The golden bookcase evokes lyric poetry and the triumph of the poetry deity Apollo, and is dressed with a vase in the Roman 'Columbarium' fashion promoted by the Rome-trained architect Robert Adam (d.1792), architect to George III. The palm-wreathed krater-vase finial graces its arched and bow-scrolled pediment inlaid with laurels issuing from its flowered volutes. Its trellised glazing is mosaiced in circular compartments derived from the ceiling of the Temple of Apollo engraved in Robert Wood's Ruins of Palmyra, 1753. These are flowered with sunflowered paterae recalling Ovid's Metamorphoses and the History of Apollo and Clytie. Large patera-medallions inlaid on the door tablets of its central commode section are similarly flowered, while the tablets of the recessed drawer-nests are embellished with ormolu sunflowered and laurel-wreathed paterae and laurel-wreaths. As well as the trompe l'oeil flutes inlaid in the cornices of both sections, the bookcase is embellished with black and white fillet-ribbons in Adam's 'Etruscan' fashion.

It is fitted with fine serpentine-fretted lock-plates introduced in the early 1770s and featured on a number of items supplied by some of the leading cabinet-makers including Thomas Chippendale of St. Martin's Lane. (C. Gilbert, The Life and Work of Thomas Chippendale, London 1978, vol. II, fig. 267).
The commode ornament of flutes and sunflowered paterae relate to that of a pair of commodes supplied around 1780 to Charles 4th Duke of Marlborough and attributed to the Golden Square firm of John Mayhew and William Ince (H. Roberts, 'Furniture for the 4th Duke of Marlborough', Furniture History, 1994, p. 139, fig. 29). The same handles also appear on a roll-top desk attributed to this firm (L. Wood, Catalogue of Commodes, London, 1992, p. 229, fig. 215).

POSSIBLE PROVENANCE
The early provenance of this bookcase is a puzzle that, when solved, will undoubtedly provide a key link in unravelling an as yet unidentified Mayhew and Ince commission. In 1964 it was sold from Northwick Park, Gloucestershire. At the time the sale was known for the collections, notably of Old Masters, formed by Captain E.G. Spencer Churchill, M.C. (1876-1964). Exactly what at Northwick had been collected by Captain Spencer-Churchill and what had been inherited is impossible to guess. There were two other lots in the sale that suggest a wider Mayhew and Ince commission may be hidden in the sale - a demi-lune satinwood commode of the same shape but simpler form as lot 20 in this sale (lot 118 at Northwick) and a chamber organ (lot 246). If it emerged that this bookcase, the commode and the organ were part of an earlier Mayhew commission, there are at least two possible sources for that. Captain Spencer-Churchill inherited Northwick from his mother's family, the Rushouts, Barons Northwick. It is possible that some of the furniture survived the colossal Northwick collection sales of 1859. Any commission would possibly have been by John Rushout, 1st Baron Northwick (1738-1800).
While a Rushout-Northwick commission is conceivable, it does seem less likely that the alternative. Captain Spencer-Churchill was great great grandson of the 4th Duke of Marlborough (d.1817) who was a long term client of the firm, at Blenheim Palace and probably for his son at Whiteknights, near Reading (H. Roberts, 'Furniture for the 4th Duke of Marlborough', Furniture History, 1994, ppp. 130-9). It seems more likely that the three lots attributable to Mayhew and Ince at Northwick Park in 1964 had descended to Captain Spencer-Churchill as remnants of his own family's enormous commission, rather than their having remained in his house throughout.

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