Dan Flavin (1933-1996)
PROPERTY FROM THE COLLECTION OF AN ARTIST
Dan Flavin (1933-1996)

East New York Shrine

Details
Dan Flavin (1933-1996)
East New York Shrine
signed, numbered and dated 'SONJA AND DAN FLAVIN HOLY MOTHER LOADED WITH GRACE PLEASE HELP DICK 1962-65 4.' (along the upper and lower edges of the rim of the pot)
tin can, porcelain receptacle with pull chain, Aerolux Lite bulb and black glass beads
11½ x 4½ in. (29.2 x 11.5 cm.)
Executed in 1962-1963. This work is number four from an edition of ten with only eight of the ten works realized.
Provenance
Richard Bellamy, New York
Richard Green Gallery, New York
Literature
Anon. "Dan Flavin Retrospective From Vancouver, B.C.", Northwest Art: News & Views, vol.1, no.1, January-February 1970, p.26 (illustrated). W.S. Wilson, "Dan Flavin: Fiat Lux", ArtNews, vol.68, no.9, January 1970, p.48.
J. Meyer, Minimalism, London 2000, p.92 (illustrated).
J. Meyer, Minimalism Art and Polemcis in the Sixties, New Haven and London 2001, p.96 (illustrated).
Exhibited
New York, Kaymar Gallery, some light, March 1964.
Ottawa, National Gallery of Canada; Vancouver Art Gallery; and New York, The Jewish Museum, fluorescent light, etc. from Dan Flavin, September 1969-March 1970, pp.132-133 and p.191 (illustrated).

Lot Essay

East New York Shrine, 1964 relates to the artist's preceding works in light called "icons" for which he developed witty and poetic dedications. Flavin continued to dedicate his work throughout his career, but rarely with the sentiment and humor of the early period. The present sculpture is dedicated to the great New York dealer Dick Belamy, an early champion of the work. "When Dick Belamy first visited me (in 1961) he paced from room to room delightedly for sometime, and then announced that he wished he could transport the entire apartment to his new Green Gallery." (B. Smith, Dan Flavin, florescent light, etc. from Dan Flavin), p.14.

With the Virgin Mother luminously aglow atop a POPE tomato paste can, Holy Mother bridges the spiritual with the mundane: a perfect Pop mix of high and low imagery executed with humor and poetry. "Created by an artist steeped in traditions of art and canons of Catholicism, Flavin's works offer nothing less than a reconsideration and deconstruction of art's past through both the systematic use of form and light and the tool of irony." (ibid).

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