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拍品專文
The criollo Gaspar Miguel de Berrio (1706-1762), one of Alto Peru's most prominent masters worked in Puno, Potosí and Sucre around 1744. This Immaculate Virgin presents an apocalyptic "Planet Woman" standing on a crescent moon. Her physiognomy is characteristic of the Madonnas depicted by Berrio. The rainbow nimbus which encircles the Virgin Mary's head is also a hallmark of his style. Angels in the painting are finely executed. The Brocateado (application of gold to simulate embroidered designs) and simulation of lace are enhancing features of the work.
Sorrounding the Virgin Mary are traditional attributes which derive from the Song of Songs and Hebrew prophecy. Among them are: Staircase to Heaven, the Rose of Sharon, the Cedar of Lebanon, the Portal to Heaven, the Spotless Mirror, and the Palm Tree. The lower terrain suggests the environ of Potosí, in particular on the left, the Cerro Gordo, where silver was mined.
Barbara von Barghahn
March 6, 1999
Sorrounding the Virgin Mary are traditional attributes which derive from the Song of Songs and Hebrew prophecy. Among them are: Staircase to Heaven, the Rose of Sharon, the Cedar of Lebanon, the Portal to Heaven, the Spotless Mirror, and the Palm Tree. The lower terrain suggests the environ of Potosí, in particular on the left, the Cerro Gordo, where silver was mined.
Barbara von Barghahn
March 6, 1999