拍品專文
A similar example is illustrated by Jessica Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, p. 227, fig. 9:27, where the author notes that floral decoration was relatively rare in the sixteenth century and also that while the style of the painting follows early Ming work, there is no exact model from which this would have been copied, although the nianhao under the rim follows the Xuande precedent. Compare also the example illustrated by Krahl and Ayers in Chinese Ceramics in the Topkapi Saray Museum, Istanbul, vol. II, p. 631, no. 926