Lot Essay
One of a small group of landscapes drawn by Waterloo in a distinctive and individual technique combining black chalk and watercolour with touches of bodycolour as highlights, perhaps with the addition of oiled charcoal, to create delicate atmospheric effects. Little is known of Waterloo's life, but the suggestion that he was self-taught would correspond with this unusual handling of media.
Other drawings from the group are in the Fitzwilliam Museum, Cambridge (D. Scrase, Dutch Master Drawings from the Fitzwilliam Museum, Cambridge, exhib. cat., Munich, Staatliche Graphische Sammlung and elsewhere, 1996, no. 32), the Musée Condé, Chantilly (D. Mandrella, Arcadie du Nord, exhib. cat., Chantilly, Musée Condé, 2001, no. 80), formerly in the collection of Pierre de Charmant (Christie's, Paris, 21 March 2002, lot 109) and a drawing which, like the present sheet formerly belonged to the British Rail Pension Fund (Sotheby's, New York, 8 January 1991, lot 121).
Other drawings from the group are in the Fitzwilliam Museum, Cambridge (D. Scrase, Dutch Master Drawings from the Fitzwilliam Museum, Cambridge, exhib. cat., Munich, Staatliche Graphische Sammlung and elsewhere, 1996, no. 32), the Musée Condé, Chantilly (D. Mandrella, Arcadie du Nord, exhib. cat., Chantilly, Musée Condé, 2001, no. 80), formerly in the collection of Pierre de Charmant (Christie's, Paris, 21 March 2002, lot 109) and a drawing which, like the present sheet formerly belonged to the British Rail Pension Fund (Sotheby's, New York, 8 January 1991, lot 121).