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Lot Essay
The present work was executed between 1897 and 1900 at the same time as the related pastel Dancer housed in the Baltimore Museum of Art (fig.1: gifted by Dr. Claribel and Etta Cone). The relationship between the two works is exceptionally interesting. Degas began work on the Baltimore pastel, and being satisfied with the composition, executed a counterproof of his work in progress. This technique allowed him to continue his work on the two identical (but reversed) compositions.
Aside from very clear compositional alterations or additions, there are also significant differences in the colours which Degas used to "finish" each pastel. In the Baltimore version the dancer's bodice is blue and her skirt yellow and green. The model's hair is red and her tights are lavender. The colour behind is orange and the general colour of the background, red as opposed to the pale green of the present piece.
Such innovatory techniques were frequently used by Degas. As he liked to use and re-use pleasing compositions, so he would frequently use monotype or counterproof so that he could experiment more freely with colour combinations.
Aside from very clear compositional alterations or additions, there are also significant differences in the colours which Degas used to "finish" each pastel. In the Baltimore version the dancer's bodice is blue and her skirt yellow and green. The model's hair is red and her tights are lavender. The colour behind is orange and the general colour of the background, red as opposed to the pale green of the present piece.
Such innovatory techniques were frequently used by Degas. As he liked to use and re-use pleasing compositions, so he would frequently use monotype or counterproof so that he could experiment more freely with colour combinations.