拍品專文
This drawing was traced by Cézanne from an engraving by Paquet. Paquet had based his engraving on a drawing by Bourdon reproducing Caravaggio's Deposizione (1602-1604), in the Pinacoteca Vaticana.
There is a watercolour of the same subject (RWC 492) executed circa 1900. 'As Neumeyer stated: "Nobody but Cézanne amongst his contemporaries would have shown an interest in this Baroque master"... "When", as Roberto Longhi observed, "Cézanne makes a copy for his own edification, he illuminates, after three hundred years, with incredible intelligence the quintessential, abstract, metaphysical appearance of the Caravaggesque model"' (quoted by J. Rewald, op. cit).
There is a watercolour of the same subject (RWC 492) executed circa 1900. 'As Neumeyer stated: "Nobody but Cézanne amongst his contemporaries would have shown an interest in this Baroque master"... "When", as Roberto Longhi observed, "Cézanne makes a copy for his own edification, he illuminates, after three hundred years, with incredible intelligence the quintessential, abstract, metaphysical appearance of the Caravaggesque model"' (quoted by J. Rewald, op. cit).